5 Awkward Aspects Of After Earth

After Earth has been surprisingly divisive among reviewers and audiences, with opinions ranging from those who consider it a pleasantly entertaining bit of filmmaking from maligned director M. Night Shyamalan to those who have declared it in step with his recent string of duds and possibly the worst movie of 2013 so far. I understand both of these views to an extent. I found it to be something of an improvement over outright disasters like The Happening and Lady in the Water, in that I didn’t hate every single second of it. In fact, I found it to be mildly enjoyable, which surprised me coming from Shyamalan and the relatively untested starpower of Jaden Smith. There was a decent number of things in the film to admire.
[h2]4) All that exposition at the start[/h2]

After Earth

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Others have also written about the tendency that’s becoming a trope, which After Earth employs in its opening scenes: a whole lot of explaining the world we’re being introduced to, its history, the featured characters’ backstory, and important technological developments that will surely factor in later on. I’m not as convinced as others that it’s unnecessary, or that it necessarily detracts from the fun of experiencing this strange new world before us.

But it’s always a little bit awkward, and takes an opportunity to make an entrance onto the screen as something new and distinct and effective rather than taking a tired trick of common movies and it anyhow. And this is in spite of the fact that I kind of like the way the movie opens, with imagery that’s rather compelling and a gorgeous little moment that is over too quickly with father Cypher wordlessly instructing his son to focus on his breathing before being sucked out of the back of the crashing aircraft. Jaden Smith isn’t exactly great reciting this opening dialogue, or any dialogue in the film, and is by far the strongest when he seems unable to find words to express himself, like your ordinary teenager. Just less talking in general would suit Shyamalan’s films a lot better, I think.

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