What To Expect From Marvel’s Netflix Series (And How They Can Make It Work)

527b1c93c190e What To Expect From Marvels Netflix Series (And How They Can Make It Work)

Not too long ago, Marvel announced its intent to produce a total of five seasons of television for digital distribution through Netflix’s streaming platform. The series – to focus on established comics characters Daredevil, Iron Fist, Luke ‘Power Man’ Cage and Jessica Jones before bringing the four together in a final fifth season titled The Defenders – are to debut in 2015 and run over the next few years. But you knew all that already, right?

In case you’re curious about what to expect from these characters and the story potential inherent, we’ve compiled some biographies as well as an outline of what we think would make the series worth watching come 2015.



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The skinny on Daredevil is that he was blinded as a child by a mysterious substance and gifted with enhanced senses to compensate which have aided him in achieving physical perfection. He’s generally either really happy or really sour and arguably the biggest Marvel property not to have enjoyed major success in motion pictures.

To be fair, most of you have probably already seen Mark Stephen Johnson’s underrated 2003 version of Daredevil. You know, the one Batman was in. That film and the general Bennifer-fuelled Affleck backlash cast a shadow over the character that has seen a decade pass with not so much as a whiff of a sequel or reboot. There were rumors and aborted attempts, sure, with the most interesting being that Frank Miller (who wrote and drew the series between ’79 and ’93) wanted to direct Jason Statham in the role and that Joe Carnahan pitched a version set in the 1970s, but despite the comic series going from strength to strength in that time, ol’ hornhead has mired in development hell.

There are a number of key stories worth tackling here. Miller’s legacy – the expanded origin and the Elektra relationship – was fairly treated in the 2003 film but could stand to be reintegrated into the new series. His other major contribution to the character was 1986’s Born Again, in which one of Matt Murdock’s exes sells his secret identity for a quick fix and it falls into the hands of The Kingpin, who systematically destroys Matt’s livelihood and reputation before the inevitable comeback. It’s one of the best comics stories ever and deserves wider recognition. It would also fit a thirteen-episode season perfectly if it weren’t for the fact that it depends quite heavily on existing character establishment. Still, if they ever get to a second season, Born Again is the way to go.

Another notable classic is Brian Michael Bendis and Alex Maleev’s run from around a decade ago, in which an increasingly furious Daredevil elects to and succeeds in cleaning up Hell’s Kitchen despite the throes of a mental breakdown after his identity is revealed to the public. It’s heavy stuff, but one of the best runs for the character. It’s low on superheroics and high on crime drama and would fit the segmented format perfectly.

Whichever way Marvel and Netflix choose to go, there’s arguably too much material available for them to screw it up. By the time it airs they’ll have had over fifty years of stories to choose from and at least three great authors’ work would make for essential viewing.

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Luke Cage and Iron Fist

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Two of Marvel’s most enduringly popular characters who’ve managed to transcend their roots as capitalizations on exploitation cinema, Luke Cage (formerly Power Man) and Danny “Iron Fist” Rand have operated separately but are likely most known for their co-starring role in the Heroes For Hire series.

Cage is possessed of virtually-indestructible skin and considerable superhuman strength as well as being fairly handy in a rumble, which is helpful given his tendency to find (or create) trouble while preserving the safety of New York’s citizens. Iron Fist’s abilities are a little more rooted in the supernatural – he wields a mystical essence that can be harnessed to sharpen his focus, enhancing his already significant prowess as a martial artists, with the drawback that it has a finite supply and requires time to recharge.

Your story potential here is simple enough – have these cats prowl the streets, kicking ass and taking names and helping the helpless and so on.  If the four series were to serve separate functions, and they damn well should, this would be where the bulk of the action would reside. Naturally there’s crossover opportunity aplenty between the two, which extends to the pair’s friendship with Daredevil and Cage’s eventual marriage to Jessica Jones. Luke Cage and Iron Fist would arguably work best as a single series, but if Marvel’s determined to handle them separately then the contrast between Cage’s street-level mercenary antics and Rand’s martial arts adventures should make the inevitable team-up episodes that much more dynamic.

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Jessica Jones

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Jessica Jones, another Brian Michael Bendis creation, first appeared in the award-winning 2001 series Alias and is easily the least well-known of the characters set to debut, yet also potentially the biggest hit. A former superheroine turned private-eye, Jessica is a far cry from Agents Of S.H.I.E.L.D.’s vision of neatly pigeonholed female types. She’s conflicted, bitter and sleeps with the wrong guys. She fucks up.

Alias was unquestionably a series for adults, running under Marvel’s MAX imprint. With the character now under the watchful eye of Disney, it’s unlikely the profanity and anal sex is likely to make it to Netflix, but there’s much more to the character than that summarised earlier in this awkward self-referential sentence. She’s smart but not clever, brave but not invulnerable. There’s a lot to work with.

Jessica’s relationship with Luke Cage is a high point for both characters and culminates in their marriage the birth of their daughter, though the tease of the reveal of why Jones quit her identity as Jewel and resigned from the superhero game is probably the way to go for Netflix. Going the opposite way – having her quit over the course of the series – just seems like a bad decision to me, and the dramatic potential to be wrung out over ten or eleven episodes of wondering why is bound to draw folks into those all-important streaming binges.

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How To Get It Right

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There’s two ways I reckon Marvel can nail these Netflix shows, and though either one of them would do it’d be nice to see both: give each of them a distinct identity and make sure they’re as unlike Agents Of S.H.I.E.L.D. as humanly possible.

Part of what’s been exciting about the Marvel Cinematic Universe so far is that you’ve got these great auteur directors (plus Jon Favreau) working on sprinkling existing characters with their own directorial tics. The Shane Black Iron Man, the Kenneth Branagh Thor and the Joss Whedon Avengers are still the standouts of the bunch because you really get a feeling that the films were made by people with ideas and style. The lesser efforts – The Incredible Hulk, Iron Man 2 and Thor: The Dark World – all of these suffer because they feel so by-the-numbers (most heinously in Iron Man 2’s case, those numbers having been established by the first film).

The reason Agents Of S.H.I.E.L.D. is such a poor show is because it’s stuck someplace between the Avengers-lite of the Whedon B-team (brother and sister in law: see Dollhouse) and an archaic style of presenting, plotting and scoring network television that is in direct conflict with its cinematic progenitor’s genuinely blazed trail. It feels out of date, and is populated by lazy get-rich-quick character types – because they’re barely characters – and continues to coast on the ever-teased promise that one of the movies’ stars might drop by once in a while.

So, the lesson is thus – don’t have these series depend on the movies, have them depend on each other. Let Netflix’s Marvel enjoy a rivalry with the bigger hitters. Create an underdog, from which to create a true success story. Because styling TV series after Whedon projects from ten years ago just ain’t gonna cut it. You wanna be Shield, Marvel? Try Shawn Ryan’s. Detective work, takedowns, dealing with crime in a way that’s just about relatable. Legwork. No gadgets. People working hard to stop crime without millions of dollars.

This is how to make it work.

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  • Patrick Bruneau

    I really hope that it’s set in the 70′s, i really think that these characters would work better in tv shows than movies. Good move Marvel !!!

  • The Walking Cuban

    No gadgets.

  • hatorian

    Iron Man 3 sucked hard. Shane Black should nevef be allowed to touch the Marvel Universe again.

    • PegasusOrgans

      Very, very true. I felt like Mr. Black was spitting in my eye.

    • http://mysite.verizon.net/vzepr1xp/index.html unsean

      Based on what? The Mandarin twist? Considering that, if you saw “All Hail The King” you’d know that not only was Aldrich Killian not the Mandarin, but that he’s actually still out there.

      If you discount the twist, then I am not sure what the hatred is all about. The movie was as technically accomplished as any of the other Iron Man films, and in my eyes just as enjoyable.

      That being said, I tend to watch the Iron Man movies more for him than Tony Stark, though that by no means made it a bad movie.

      • PegasusOrgans

        So Marvel, in response to fan outrage, retconned Iron Man 3 to make Mandarin less of a full on Marvel-fan bitch-slap. C’mon, it is transparent as hell, and only a true fool couldn’t see through it. While Iron Man 3 was being filmed, I guarantee there was ZERO interest in “All Hail The King”. They were going to leave the Mandarin as-is.

        • http://mysite.verizon.net/vzepr1xp/index.html unsean

          What are you talking about? Nothing was “retconned.” Aldrich Killian claimed that he was the Mandarin.

          After “All Hail The King” we learned that not only was Killian not the Mandarin, but the real Mandarin not only exists, but he’s a mite pissed and looking for blood.

          “Marvel fan bitch-slap?!” You have to be kidding. Just because someone was posing as the Mandarin? You need to lighten up. My only problem with Iron Man 3 was it was too Stark-centric.

          Other than that, I am OK.

          I always amazes me how people who aren’t involved with Marvel somehow have all this knowledge about what Marvel was or wasn’t going to do.

          You can’t guarantee anything, because you don’t know, so why you continue to speculate about things you have no knowledge of is a bit beyond me.

  • David Young

    Well, I actually like “Agents of Shield,” but I still think these recomnendations are right on. The Netflix shows should each take their own directions — and take some chances. And yet they should still be designed from the get-go to interact with each other as each series progresses. If Marvel does this right, this is a TV-Drama experiment that could be totally amazing.

  • Morte

    I agree in almost everything, but it’s the first time I read that Kenneth Branagh’s “Thor” was better than “The Dark World”…

    • Grrsn22

      Although I like the first one, something about it screamed that it was rushed so they could create the character for the first Avengers movie. Same with Cap A. I loved The Dark World and while Thor will always be my favorite, the new Captain America movie looks like Marvels best movie to date. IMO

      • Morte

        What I didn’t like about Thor was the transition between worlds. Thor, Loki etc looked awesome in Asgard, but they looked ridiculous in Earth. Also it was a bit disappointing that they had to fight in that small town instead of a huge city.
        The new Captain America looks amazing, yes.

  • Kingpin

    AOS is an anti climax. Ironman 1 is the best and The Incredible Hulk was good (the CGI was just a bit off occassionally)

  • http://mysite.verizon.net/vzepr1xp/index.html unsean

    I get the feeling that no one wants to see an Agents of S.H.I.E.L.D. that’s little more than a average procedural, then again considering its ratings at 8 PM, I am not sure the current formula is working either.

    That being said, the last I heard was that it was moved to 9 PM on the same night, and had a 2.0 rating, which is better than it was doing an hour earlier.