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The Flash Season 5 Review

Odd as it may sound, The Flash may very well now be the flagship show in the Arrowverse. When you think about it, the series' ascension to that spot makes sense, especially when you factor in how it's consistently The CW's top rated show. Plus, it often charts new course for the DC TV landscape as a whole, which I'll discuss in just a bit.

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Odd as it may sound, The Flash may very well now be the flagship show in the Arrowverse. When you think about it, the series’ ascension to that spot makes sense, especially when you factor in how it’s consistently The CW’s top rated show. Plus, it often charts new course for the DC TV landscape as a whole, which I’ll discuss in just a bit.

In the meantime, though, I’m going to shower the next leg in the Scarlet Speedster’s journey with much praise after being left jaded by what I thought was a parabolic fourth season. Those familiar with this site may remember how I didn’t exactly care for how our most recent trips to Central City became downright farcical at times, whereas the premiere I’ve just had the honor of screening found the proper balance achieved in earlier seasons.

Maybe it’s just me, but Nora West-Allen AKA XS, played by the adorable Jessica Parker Kennedy, gave this show the shot in the arm that it needed. After being left stranded in the present, Barry (Grant Gustin) and Iris’ (Candice Patton) daughter from the future manages to strengthen the family aspect that’s been a solid cornerstone since day one, while also taking the action scenes to the next level.

Being someone who digs legacy heroes, I was delighted to hear Nora begin season 5 with narration similar to that of Barry’s, thereby letting us know that she’s a chip off the old block and, yes, she’s the fastest woman alive in her native time period.

In very short order, I became convinced that Nora is quite possibly the role Kennedy was born to play, and is quickly becoming my favorite thing about the show. Believe me, it won’t take long for you to warm up to the father-daughter dynamic shared between her and Barry. It’s a tad awkward as one would expect at first, sure, but the two bond before long.

Seeing as how this is a comic book-based series, their first instance of Take Your Child To Work Day comes in the form of a run-in with Gridlock (Daniel Cudmore), our first freak of the week for the fall. In truth, it’s probably best that we get someone of lesser power to start off things before organically building up to the new big bad, Cicada (Chris Klein).

Make no mistake, the Flash himself isn’t forgotten in the premiere, as this is still very much his headlining gig. What’s more is that longtime viewers will be rewarded as he runs the costuming gamut by donning the suits he wore in seasons 1 and 2, before settling on his new threads.

Continuing on that note, the comic aficionados among you should geek out upon seeing said duds emerging from a ring, an element from the source material that’s finally been utilized by the producers. As for getting it back inside, well, that sounds like a job for Cisco Ramon (Carlos Valdes) and his magnificent mind.

Rest assured that a piece of jewelry isn’t the only thing brought back from the future because – get this – Nora gives quite the nod to Batman Beyond by using “schway” in a sentence on multiple occasions. Not only that, but the DC Easter eggs don’t stop there – her name-drops may be laying the groundwork for the next five years of Arrowverse programming, so be sure to pay close attention.

Now, I’m not going to get into major spoilers, but I will say that stuff established all the way back in the pilot episode is revisited and factors into what’s to come. The sharper guys and gals reading this may have a few good guesses after learning that, so just keep on formulating your own theories until it’s showtime.

At this point, I imagine lovers of Caitlin Snow (Danielle Panabaker) are wondering what’s going on with her character and the unfolding mystery involving her past. Though her alter ego of Killer Frost has yet to resurface, some sizable breadcrumbs are provided, each of which will definitely factor heavily into future episodes. Bank on it.

In the eyes of this critic, showrunner Todd Helbing and company have rediscovered what’s quintessentially The Flash. Hand to Zod, the creative minds behind the series look to be returning it to the glory days of seasons 1 and 2 – and that’s no joke. These folks have put together one of the strongest premieres this show has ever produced, and it’s guaranteed to leave people talking. Personally, I can’t wait to see what’s next because, you know, it’s not like I can run so fast that I can time travel or anything.

Top Honors

The Flash manages to recapture its glory days with a phenomenal and totally schway fifth season premiere.

The Flash Season 5 Review