Forgot password
Enter the email address you used when you joined and we'll send you instructions to reset your password.
If you used Apple or Google to create your account, this process will create a password for your existing account.
This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply.
Reset password instructions sent. If you have an account with us, you will receive an email within a few minutes.
Something went wrong. Try again or contact support if the problem persists.
kingdom-of-the-planet-of-the-apes
Image via 20th Century Studios

The closing moments of ‘Kingdom of the Planet of the Apes’ are kind of brilliant and entirely terrifying

Keep the 'Apes' movies coming, 20th Century; we're as hooked as ever.

This article contains spoilers for Kingdom of the Planet of the Apes

Recommended Videos

When Wes Ball was preparing to carry forward a franchise as critically and commercially successful as the rebooted Planet of the Apes canon, he must have known that it would be no easy task to follow in the footsteps of the Caesar trilogy. How appropriate, then, that Kingdom of the Planet of the Apes has chosen to not march in anyone’s footsteps but its own.

Indeed, with Owen Teague leading the charge as protagonist Noa, Ball and company have something special on their hands, and seeing where this new Apes trilogy will go from here should be one of the most exciting developments that the pop culture zeitgeist will bear witness to over these next couple of years.

And Kingdom was all too happy to tee us up for a glance at what lies ahead, as its closing moments suggest a particularly daunting rematch that the world hasn’t seen for a few centuries (Kingdom takes place 300 years after War for the Planet of the Apes).

Kingdom of the Planet of the Apes ending explained

kingdom of the planet of the apes
via 20th Century Studios

After Noa and his clan return home to rebuild, he spots Mae in the distance, and begrudgingly approaches her. She tells him she came to bid farewell following their journey together, but the gun that Mae hides behind her back suggests that she’s as aware of the newfound tension between them as Noa is. She leaves him on the same tense terms they began the interaction with, making no secret of her belief that humans deserve their chance to be the dominant species again. Noa, meanwhile, stands firmly against the dominating nature that humans and Proximus have exhibited, perhaps worried that humans returning to the top would invite that very nature.

Mae then returns to the satellite base she originally came from (this is the first time we audience members see it), and hands over the deciphering key she took from the military bunker to one of the other humans inside. Using this, the humans manage to make contact with other humans that are scattered across the world. Mae gazes at the sky as the satellites find the humans, while Noa also gazes at the sky from inside the observatory he encountered earlier in his adventure.

Suffice to say Noa and Mae will be meeting again in the future, likely on significantly less-friendly terms, and possibly winding up on opposite sides of a new war; one that may mirror the ideological clash between Caesar and Koba that came to a front during Dawn of the Planet of the Apes.

This ending is also an appropriate note in the context of what Kingdom sought to explore thematically; when Noa first encountered the planetarium, he saw the night sky (perhaps the moon) with a newfound wonder for the world he lived alongside. Now, he looks upon that same sky with the same respect, but it’s less an awestruck admiration and more a kinship, now that he recognizes a certain vulnerability in the world that he once did not. Mae, meanwhile, is staring at the very same sky that Noa is, but her stare is one of perverted hope for a world that will bow its head to humanity once again.

Kingdom of the Planet of the Apes is now playing in theaters.


We Got This Covered is supported by our audience. When you purchase through links on our site, we may earn a small affiliate commission. Learn more about our Affiliate Policy
Author
Image of Charlotte Simmons
Charlotte Simmons
Charlotte is a freelance writer for We Got This Covered, a graduate of St. Thomas University's English program, a fountain of film opinions, and probably the single biggest fan of Peter Jackson's 'King Kong.' She has written professionally since 2018, and will tackle an idiosyncratic TikTok story with just as much gumption as she does a film review.