Forgot password
Enter the email address you used when you joined and we'll send you instructions to reset your password.
If you used Apple or Google to create your account, this process will create a password for your existing account.
This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply.
Reset password instructions sent. If you have an account with us, you will receive an email within a few minutes.
Something went wrong. Try again or contact support if the problem persists.
Madame Web and Ezekiel Sims
Images via Sony Pictures

‘Madame Web’ shooting past a childhood classic on streaming proves that cinema is dying a slow and painful death

The world will end in trumpets and ADR.

To those of you who had the foresight to observe (not watch) the much-derided Madame Web on streaming, know that the rest of us gaze upon you with unspeakable envy, as we had to sit in the presence of this decrepit train wreck in all its full, immersive anti-glory on the big screen.

Recommended Videos

The fact that it wound up shipping in this condition is nothing short of an artistic crime of the highest degree, and seeing as Sony has since pushed it through to Netflix, it’s clear that this specific instance of shame hasn’t quite settled in for the creators of this ungodly Spider-Man continuity.

And make no mistake; the shame will continue. Not only will it continue on in those who end up watching it — and will subsequently suffer the shame of wasting just under two hours of their time in an utterly disastrous manner — but also in all of humanity, as we will now have to contend with the fact that, perhaps as a result of that aforementioned foresight, we allowed Madame Web to take over Shrek on the streaming charts.

Shrek 2 Intro
Image via Dreamworks

Indeed, per FlixPatrol, Madame Web has clambered to the top of Netflix’s viewership rankings in the United States, beating a currently-third place Shrek — a cultural staple in the realm of cinema, animation, and, more irreverently, memes — in popularity.

How much further must we fall before Martin Scorsese finally rounds up every screen in the known world and holds them hostage until we learn to behave ourselves with our viewership habits? How many more Academy Award-winning animated bastions must be disrespected this way before we finally learn the errors of our ways?

If you still haven’t been dissuaded from piling onto this catastrophe, then just know that Madame Web is like an onion, but not because it has layers; no, Madame Web is like an onion because it stinks, and it’s no easy smell to wash out of your brain. You have been warned.


We Got This Covered is supported by our audience. When you purchase through links on our site, we may earn a small affiliate commission. Learn more about our Affiliate Policy
Author
Image of Charlotte Simmons
Charlotte Simmons
Charlotte is a freelance writer for We Got This Covered, a graduate of St. Thomas University's English program, a fountain of film opinions, and probably the single biggest fan of Peter Jackson's 'King Kong.' She has written professionally since 2018, and will tackle an idiosyncratic TikTok story with just as much gumption as she does a film review.