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MAIN: PARIS, FRANCE - AUGUST 01: Angela Carini of Team Italy looks on prior to the Women's 66kg preliminary round match against Imane Khelif of Team Algeria on day six of the Olympic Games Paris 2024 at North Paris Arena on August 01, 2024 in Paris, France. BUBBLE: NEW YORK, NY - MAY 16: Lauren Boebert is seen on May 16, 2024 in New York City.
MAIN: Photo by Richard Pelham/Getty Images BUBBLE: Photo by Andrea Renault/Star Max/GC Images

Lauren Boebert raised $67K in anti-trans gift money and Angela Carini was like ‘give it back’

Carini continues to lead by example.

The Olympics are an inherently inspirational occasion, where the hardest-working, most passionate athletes from all over the world compete for the gold in countless different specialties, and simultaneously celebrate their grit and determination to be the very best.

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This past summer, the world seemed to forget that for a moment, and went out of their way to try and make now-Olympic champion Imane Khelif forget that, too. Following her 46-second boxing bout against Italian competitor Angela Carini, which the latter indignantly withdrew from on account of Khelif’s superior strength and boxing prowess, accusations of Khelif being a transgender woman came in hard and fast.

Khelif, of course, was born a woman and has always competed as a woman, and her home country of Algeria is quite aggressively anti-LGBTQ. This has been covered and documented numerous times from numerous sources and is the last dead horse we should be beating right now.

What hasn’t been talked about as much, however, is Carini’s class act in owning up to her mistakes and repeatedly standing by them, once in her initial apology to Khelif and the wider Olympic community at large, twice when she rejected a $100,000 sum from the IBA back in August, and now a third time with her rejection of a $67,000 sum raised by Lauren Boebert, who peddled the same false rhetoric about Khelif in order to garner it.

In the tweet above, Boebert describes Carini’s reason for declining the offer as “she didn’t want to continue with what has been a difficult chapter in her life.” But consider Carini’s direct comments to Gazzetta dello Sport (per BBC) made not long after her fight with Khelif, when the aforementioned false rhetoric surrounding Khelif’s biology began to spike. All of a sudden, the vagueness of Boebert’s tweet becomes a bit more pronounced.

All this controversy makes me sad, I’m sorry for my opponent, too. If the IOC said she can fight, I respect that decision. [Not shaking her hand] wasn’t something I intended to do. Actually, I want to apologise to her and everyone else. I was angry because my Olympics had gone up in smoke. If I were to meet her again, I would embrace her.

Indeed, Carini had every right to abandon her match with Khelif, and she was wise to do so if she felt unsafe, but Carini was simply outmatched. It had nothing to do with Khelif being transgender, because Khelif is, quite plainly, not transgender.

And what human being wouldn’t have the sort of emotional reaction that Carini did? She no doubt worked just as hard as every other athlete who found themselves on the world stage this past summer, and to have put in all that work only to drop out of her own accord in such an unceremonious fashion, it must have been immensely frustrating. And unfortunately, the resulting behavior she displayed on account of her frustration only fueled attacks on Khelif, whose cisness had been under scrutiny for some time before the Olympics.

But what did Carini do? She immediately owned up to her mistakes and offered as direct an apology to Khelif as she could muster. Because unlike Lauren Boebert, J.K. Rowling, and everyone else who insists on upholding this rhetoric on Khelif for the sake of saving face with their transphobic audiences, Carini has no interest in pillaging her dignity from others. And in a world that seems to increasingly encourage such a thing, that is something to be admired.


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Charlotte Simmons
Charlotte is a freelance writer for We Got This Covered, a graduate of St. Thomas University's English program, a fountain of film opinions, and probably the single biggest fan of Peter Jackson's 'King Kong.' She has written professionally since 2018, and will tackle an idiosyncratic TikTok story with just as much gumption as she does a film review.