White House covertly running mission to damage control Donald Trump endless - and increasingly catastrophic - boo boos – We Got This Covered
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Donald Trump talking to the camera
Screengrab via Donald J Trump/YouTube

White House covertly running mission to damage control Donald Trump endless – and increasingly catastrophic – boo boos

The public has a right to know who is manipulating public opinion.

During the raid in Venezuela, the White House released photographs of the Donald Trump administration in the war room. Some people were taken aback when they noticed that one of the photos featured an almost 100-inch screen tracking reactions on X. It later emerged that the administration had been running bot farms from within the White House, defending the racist Barack Obama video alongside a range of other MAGA-related controversies.

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“The most obvious tell that Trump’s Truth Social post wasn’t intentional is that he would’ve posted the entire thing if he had seen it. It’s a masterpiece,” wrote an account named Johnny Maga in reference to Obama being depicted as apes. The account, conveniently, used a cartoon avatar and revealed no personal details — no discussion of family, hobbies, or interests. From top to bottom, much like the platform’s owner Elon Musk himself, it existed solely to push rhetoric defending Trump’s policies.

Wired was able to trace that account directly back to the White House. While the Trump administration was dismantling traditional rapid-response agencies like the Federal Emergency Management Agency (FEMA), and even the FBI was prioritizing Kash Patel’s personal travel over responding to mass shootings, most people didn’t realize that the administration was actually focused on a different kind of “rapid response”: social media. That office is currently held by Garrett Wade, whose sole responsibility is to create accounts like Johnny Maga to shape the online narrative around Trump.

And the account has been busy. After Renee Good was shot and killed by ICE, Johnny Maga sprang into action, flooding social media with videos and narratives centered on flag burning in Minnesota. For White House staffers, that was apparently enough to distract the public from focusing on federal agents carrying out extrajudicial killings in broad daylight. Needless to say, the effort was deeply misguided.

The idea that Trump would be more concerned with social media reactions to tragedy than the tragedies themselves is, by now, unsurprising. But when coupled with his increasingly cozy relationships with the owners of major platforms — including X, Meta (Facebook and Instagram), and TikTok — and the fact that he owns his own platform in Truth Social, it becomes more alarming. Add to that Trump’s recent push for a largely pointless documentary about the First Lady — a project whose cinematographer admitted the priority was mostly making her look beautiful — and the likelihood grows that this period will be remembered as one of heavy, state-driven propaganda.

University of Pittsburgh professor Samuel Woolley warned, “People have a right to know who is trying to manipulate public opinion, and they have a right to know whether or not they’re experiencing astroturf politics.” This lack of disclosure is especially troubling because it not only erodes public trust, but also leaves the public guessing about the administration’s true goals beyond self-aggrandizement.

Trump has always been thin-skinned — something he has openly admitted. By now, it’s routine for him to wake up and issue short, unhinged critiques of late-night hosts he wants fired for mocking him. But youth outreach from the White House should require far more nuance than rage-baiting on social media. At the very least, it should be above that.


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Author
Image of Fred Onyango
Fred Onyango
Fred Onyango is an entertainment journalist who primarily focuses on the intersection of entertainment, society, and politics. He has been writing about the entertainment industry for five years, covering celebrity, music, and film through the lens of their impact on society and politics. He has reported from the London Film Festival and was among the first African entertainment journalists invited to cover the Sundance Film Festival. Fun fact—Fred is also a trained pilot.