Box Office Report: Furious 7 Zooms Past Paul Blart
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Box Office Report: Furious 7 Zooms Past Paul Blart

Vin Diesel and company continued their dominance over the North American box office, fending off two new releases that debuted respectfully. In its third lap, Furious 7 topped the box office with an estimated $29.1 million, a drop of 51% from last weekend. That is a third weekend now that's almost as good as American Sniper ($30.7 million), a film that will finish just shy of the $350 million mark.
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Vin Diesel and company continued their dominance over the North American box office, fending off two new releases that debuted respectfully. In its third lap, Furious 7 topped the box office with an estimated $29.1 million, a drop of 51% from last weekend. That is a third weekend now that’s almost as good as American Sniper ($30.7 million), a film that will finish just shy of the $350 million mark.

Furious 7 is very close to surpassing the three-century mark in North America, with $294.4 million so far, but with hefty drops the last two weekends and Avengers: Age of Ultron set to assemble massive audiences in 12 days, the film will need more gas in its tank to reach the $350 million mark.

Regardless, even if the sixth sequel doesn’t hit a threshold in North America that no film from 2014 was able to, its worldwide grosses already have. A $1.15 billion take worldwide means that after just 17 days of release, Furious 7 is already the seventh largest international grosser of all-time. Furthermore, jaw-dropping $250.5 million take in China after just one week in release indicates this will soon be the biggest moneymaker in that country’s history. There is still a lot of money left to earn around the world and the film could ultimately double Fast and Furious 6‘s $788.7 million in earnings.

Behind in second place, but not by much, was Paul Blart: Mall Cop 2. The critically reviled comedy debuted with $24 million, a solid number considering it has been more than six years since the film’s predecessor opened to $31.8 million. With a $30 million budget, it is hard to imagine Sony is too upset with that finish. Among other Kevin James comedies, that was above Zookeeper‘s opening ($20.1 million) and more than double that of Here Comes the Boom ($11.8 million). Still, with laughable reviews and a mediocre B- CinemaScore, the film should not see legs similar to the first one, which closed with $146.3 million. Sony will probably be happy to get to half of the predecessor’s original total.

In third place with solid but far from spectacular results was buzzy Internet thriller Unfriended. The R-rated fright flick opened with an estimated $16 million, much higher than its small budget but a far cry from the expected heights after the film’s trailer became something of an online sensation. It boasted strong reviews for a horror film yet its premise primarily targeted teens that were too young to buy a ticket. Jason Blum was an executive producer on Unfriended, and the film debuted between the launches of his other modest thrillers from the past half-year, The Boy Next Door ($14.9 million) and Ouija ($19.9 million).


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Author
Image of Jordan Adler
Jordan Adler
Jordan Adler is a film buff who consumes so much popcorn, he expects that a coroner's report will one day confirm that butter runs through his veins. A recent graduate of Carleton's School of Journalism, where he also majored in film studies, Jordan's writing has been featured in Tribute Magazine, the Canadian Jewish News, Marketing Magazine, Toronto Film Scene, ANDPOP and SamaritanMag.com. He is also working on a feature-length screenplay.