Jauz And Ghastly's "Ghosts N' Sharks" Is Well Below Each Artist's Worth – We Got This Covered
Forgot password
Enter the email address you used when you joined and we'll send you instructions to reset your password.
If you used Apple or Google to create your account, this process will create a password for your existing account.
This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply.
Reset password instructions sent. If you have an account with us, you will receive an email within a few minutes.
Something went wrong. Try again or contact support if the problem persists.

Jauz And Ghastly’s “Ghosts N’ Sharks” Is Well Below Each Artist’s Worth

It's reasonable to expect a collaboration between Jauz and Ghastly to yield something of substance. Both artists have become household names in electronic music, and for good reason - but what they've delivered with "Ghosts N' Sharks" falls short of what each artist is individually capable of.
This article is over 9 years old and may contain outdated information

It’s reasonable to expect a collaboration between Jauz and Ghastly to yield something of substance. Both artists have become household names in electronic music, and for good reason – but what they’ve delivered with “Ghosts N’ Sharks” falls short of what each artist is individually capable of.

Recommended Videos

In a nutshell, the quality of “Ghosts N’ Sharks” neither requires nor justifies how much it borrows. The opening synth melody emulates the key and chord progression of that of deadmau5′ 2009 track “Ghosts N Stuff” before the iconic bass line of Jauz’ “Feel The Volume” and vocal samples from Ghastly’s “Crank It” make appearances – but the whole of the production is synthesized so awkwardly that it comes across more like a hastily-made edit before a performance.

Considering that Jauz and Ghastly are friends, it’s surprising that such qualified artists couldn’t turn out something more respectable than “Ghosts N’ Sharks.”  It’s still but a small blemish on each artist’s otherwise stellar string of 2016 releases, though, so I wouldn’t put it past them to redeem themselves in the months to follow.


We Got This Covered is supported by our audience. When you purchase through links on our site, we may earn a small affiliate commission. Learn more about our Affiliate Policy