I'm a writer/editor who's been at the site since 2015. I cover politics, weird history, video games and... well, anything really. Keep it breezy, keep it light, keep it straightforward.
What would have been a straightforward, reality TV-esque insight into two very interesting women is elevated beyond measure by the recent tragedy of Carrie Fisher and Debbie Reynolds' deaths.
Though it runs into a couple of bumps along the way, Between Us is a well observed and sensitive indie drama that'll be familiar to anyone struggling with the onset of maturity.
Gaming is currently suffering its worst crisis in years: there are too many great titles to play. Every gamer worth their salt has to get their hands on blockbusting, tech-showcasing 'must plays' like Uncharted 4: A Thief's End, Dishonored 2 and DOOM. Aside from all that, you've also got to make time for the endlessly entertaining multiplayer games like Overwatch, The Division and Destiny that hoover up hundreds of hours of free time.
This 'Superman meets Doctor Who' romp is broadly entertaining, but eventually feels like a wasted opportunity to do something interesting with the two.
I'm deeply envious of Anthony Hopkins' future seeing abilities. If only I had his powers I could have avoided wasting my time with this terrible psychic serial killer drivel.
Sugar Mountain isn't total rubbish. There's some decent outdoor photography that captures the loneliness of the Alaskan wilderness and the skeleton of the plot is intriguing enough. But narratively, it's all over the place and hamstrung by iffy lead performances.
Girls Lost fills the magical realism, gender dysphoria, Swedish indie teen drama-shaped hole in your life. It's just a damn shame it all falls apart in the final act.
Clinically rigorous and hugely entertaining, The Man from Mo’Wax is a forthright examination of failure and disappointment. There’s not many music documentaries that can touch it.