With Miss Peregrine's Home for Peculiar Children, Tim Burton focuses all his energy on a dusty, far-too-droll buildup that's far from worth whatever short-lived excitement his finale brings.
Many have done worse with similar setups, which isn't exactly a glowing recommendation - but hey, if you love Pierce Brosnan enough, you should be fine with I.T.
Storks is uncomfortably unfunny and tonally confused, primed to leave children with so many questions for parents to awkwardly stumble over during any post-screening car rides home.
The Handmaiden is a sexy, seductive "thriller" that attempts to play the multiple-perceptions game, but misses on being a masterclass because of its daunting length.
Despite Winslet's stunning cowgirl fashionista, The Dressmaker is a whole lot of weirdness packed into a story that stumbles around like an emotionally-inept drunk.
I Am the Pretty Thing That Lives In The House is a slow-burn with a wonky structure, working backwards in a way that unfortunately mars any possible tension.
Without Name is almost without character as well, but Lorcan Finnegan wrangles enough creepy woodland shots to keep this softer genre flick drenched in intrigue.
The stigmatic reputation of found footage horror is strong enough to scare away even the most determined filmmakers, but director Adam Wingard and writer Simon Barrett aren't your everyday horror makers. Not only did they accept the challenge of found footage filmmaking, but they did so by making a sequel to one of the most historic genre films of that nature - The Blair Witch Project.