The Look Of Silence is another endurance test of wits for those who are ready for more Indonesian horror stories, but there's no denying that the silence Joshua Oppenheimer captures is deafening.
Maggie gives us the rare opportunity to marvel at Arnold Schwarzenegger's emotional range as an actor, but it's hard to deny that some scenes mirror a zombie's lifeless state.
Trainwreck is funny, emotional and honest, which is everything we ask our mainstream comedies to be - yet this is the first one to deliver the total package in a very long time.
The cast and crew of Deadpool took to San Diego this year to promote their upcoming superhero flick, and brought a BADASS first trailer that hit the West Coast so hard, tremors could be felt up and down California (unconfirmed). But if you've somehow avoided all the Deadpool frenzy these last few years, here's a quick recap: Ryan Reynolds is playing the Merc With A Mouth, it's SUPER R-rated, totally breaks the fourth wall, and looks to redeem Reynolds' first failed attempt at playing Wade Wilson.
Like a tightly-fastened noose, The Gallows is loaded with suffocating fear, but generic and often thoughtless storytelling undercuts the successfully scream-worthy scares.
Bros, beers, blood, and bunnies - Dude Bro Party Massacre III is a gratuitously dude-tastic showing of slasher mockery that's destined for a cult classic status.
In a world where spoof movies have been getting an increasingly bad name, Balls Out is surprisingly one of the smarter sports movie commentaries in the last few years.
Minions is an old-school spy flick for a younger generation, but without Gru's guidance, this jovial spin-off is about base-value laughs and one-off gags. A neat little way to pass the time, but not much else.