Little Monsters is a must-see horror comedy that proves Lupita Nyong'o should be starring in far more horror movies than she's been offered at this point.
Us is a volatile, vicious, and boldly expressive horror movie of the loudest volume, proving Jordan Peele to be one of the most invigorating directors around.
Captain Marvel is a recorded mixtape of familiar MCU beats that sets Carol Danvers up for success, but as a period standalone, struggles to be anything we haven't yet seen from superhero cinema.
Happy Death Day 2U is a more ambitious, more entertaining - albeit less horror powered - time-warp sequel that proves Jessica Rothe's blinding talent no matter what dimension she's in.
Despite horror’s thematic binding to society’s most current fears - this a year of parental devastation and horrors inside family units - my twenty favorite genre titles from 2018 still revel in variety: arachnid puppets, Nazi experiments, zombie musicals alike. Such morbid creativity would stick out like a sore severed thumb any other year, but today? You could drown out aforementioned absurdity with Nicolas Cage’s descent into occult revenge madness alone.
Once Upon A Deadpool supports the worthiest of causes, but "PG-13 Deadpool 2" is a much duller, hacked-up sequel than this year's *already inflated* R-rated release.
Check out Matt Donato's review of Aquaman, James Wan's most exquisite journey to Atlantis that gives Jason Momoa's Arthur Curry the origin he deserves.