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The Help Is The #1 Movie On Netflix And The Internet Isn’t Happy About It

By 4 weeks ago
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As of June 4th, a 2011 drama called The HelpĀ ranks as the most-watched film on Netflix. The popularity of the movie – doubtlessly connected to the ongoing nationwide protests following the death of George Floyd – doesn’t sit well with many activists though, as it presents a skewed perception of African American life that doesn’t match the reality in which we find ourselves today.

Like the 1989 dramedy Driving Ms. Daisy,Ā The HelpĀ is a pic about African Americans who find satisfaction in their position of servitude to whites, rather than act on some revolutionary desire for freedom, autonomy and fraternity. Written and directed by a white filmmaker and based on a book written by a white author, the story of The HelpĀ can neither be considered authentic nor educative.

The film’s racially-biased plot certainly didn’t prove a hindrance during awards season, though. On the contrary, one can make a strong argument that its patriarchal narrative actually helped it to succeed with the predominantly Caucasian Academy of Motion Picture Arts and Sciences, as it scored a nomination for Best Picture at the Oscars.

Back in its day, Driving Ms. DaisyĀ received that same award. That feat, however, has since become controversial considering Ms. DaisyĀ robbed another film of the statue – Spike Lee’s Do the Right Thing, which explored racial tensions in America with not just greater honesty, but superior artistic merit, too.

In any case, folks aren’t happy aboutĀ The HelpĀ reaching the top spot on Netflix and they’ve now taken to Twitter to vent their frustrations:

The Help

Why do subpar films like The HelpĀ andĀ Driving Ms. DaisyĀ get tons of praise, while pictures like Do the Right ThingĀ flounder? Well, one of the most accepted answers is that the former two offer a more favorable outcome to the civil rights campaign – that is, for the status quo.

Rather than breaking free from the bondage imposed on them by their white oppressors, the black protagonists of these movies settle for a Christian-like forgiveness. As times are showing, though, that approach neither gets people anywhere, nor accurately reflects the current situation.

Source: Indiewire

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