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8 Reasons Why Fight Club Rules

In honor of the film’s 15th anniversary, We Got This Covered is taking a look back at Fight Club, from its production to the polarized reaction, to give you eight reasons why the film rules. Why eight? Because there are eight rules of Fight Club. And, even though I’m going to be breaking the first two rules, I hope this ignites even more conversation about this modern masterwork.
This article is over 10 years old and may contain outdated information

It requires more than one viewing to catch everything

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To appreciate Fight Club in all of its glory, you need to watch it at least twice. Those who only see it once probably spend enough time afterward trying to figure out how the story’s twist works in ways both literal and symbolic. However, one cannot truly understand the genius of the two-faced protagonist without this foresight. On multiple viewings, the film shows off a cunning understanding of the culture it criticizes, while also proving the presence of both the ego and the id within the protagonist, the latter of which takes its name as Tyler. With the foresight of knowing whom the narrator really is, we can observe him from a new angle. To understand Fight Club’s psychological and philosophical lessons, and to catch the layers of the film that exist underneath, one has to revisit the film.

Besides the thematic expansion one would notice if they were to watch Fight Club more than once, the film is also filled with a lot of Easter eggs that would be hard to catch at first glance. From the subliminal one-frame snippets of Tyler that appear in the first reel of the film, to the hints that give away the Narrator’s true identity, Fight Club is filled with sequences that are meant to be examined and analyzed. (One this writer noticed in his latest viewing of the film: when Lou punches Tyler at the underground club, the Narrator flinches and doubles over in pain.)


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Author
Image of Jordan Adler
Jordan Adler
Jordan Adler is a film buff who consumes so much popcorn, he expects that a coroner's report will one day confirm that butter runs through his veins. A recent graduate of Carleton's School of Journalism, where he also majored in film studies, Jordan's writing has been featured in Tribute Magazine, the Canadian Jewish News, Marketing Magazine, Toronto Film Scene, ANDPOP and SamaritanMag.com. He is also working on a feature-length screenplay.