Forgot password
Enter the email address you used when you joined and we'll send you instructions to reset your password.
If you used Apple or Google to create your account, this process will create a password for your existing account.
This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply.
Reset password instructions sent. If you have an account with us, you will receive an email within a few minutes.
Something went wrong. Try again or contact support if the problem persists.
from-hell
via 20th Century Fox

A disappointing period-set slasher tears the streaming Top 10 to shreds

Subscribers are in the mood for bloody murder, whatever the time period.

Alan Moore is widely lauded as one of the finest comic book and graphic novel writers of all-time, making it completely fitting that if there’s one thing he hates above all else, it’s Hollywood getting its hands on his work. The eccentric author has never been shy in speaking out on butchered adaptations of his work, with From Hell first out of the gate in 2001.

Recommended Videos

To the surprise of nobody, then, Moore wasn’t best pleased with the end product, lamenting the fact his illustrated protagonist (a role earmarked for Sean Connery during the early stages of development) had ended up in the hands of Johnny Depp, with the actor’s take on Frederick Abberline being denigrated as an “absinthe-swilling dandy” by the creator of the source material.

from-hell
via 20th Century Fox

The Hughes brothers’ period-set slasher was a decent enough hit at the box office, though, bringing in close to $75 million on a $30 million budget, even if the critical consensus was a touch tepid. More than 20 years on, and the investigation into Jack the Ripper has a returned with a vengeance to tear the streaming charts to shreds.

As per FlixPatrol, From Hell has entered the HBO Max most-watched list in the United States in 10th position, with subscribers evidently spending their Friday nights indulging in the screams of bloody murder. Depp and Heather Graham do solid work in the lead roles, while the production design and atmosphere is often impressive, but there’s something missing from a narrative perspective that fails to elevate the material to the same level as its predecessor on the printed page.


We Got This Covered is supported by our audience. When you purchase through links on our site, we may earn a small affiliate commission. Learn more about our Affiliate Policy
Author
Image of Scott Campbell
Scott Campbell
News, reviews, interviews. To paraphrase Keanu Reeves; Words. Lots of words.