Box Office Report: Furious 7 Races To #1, Sets Franchise Record

Now must a pretty good time to work at Universal Pictures. In just 10 days, Furious 7 has sped up the box office charts and is now the seventh biggest grosser in the company's history. The sixth sequel to The Fast and the Furious dropped 59% but still zoomed ahead of anything else playing in theaters, earning an estimated $60.6 million in its sophomore weekend. That is the 12th biggest second weekend of all time, just behind The Dark Knight Rises ($62.1 million). Despite that hefty drop, the film held better in its second lap than the past three films in the franchise, which dropped between 61% and 64%. The slightly lower dip can be contributed to strong word-of-mouth and minimal new competition this weekend.

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Now must a pretty good time to work at Universal Pictures. In just 10 days, Furious 7 has sped up the box office charts and is now the seventh biggest grosser in the company’s history. The sixth sequel to The Fast and the Furious dropped 59% but still zoomed ahead of anything else playing in theaters, earning an estimated $60.6 million in its sophomore weekend. That is the 12th biggest second weekend of all time, just behind The Dark Knight Rises ($62.1 million). Despite that hefty drop, the film held better in its second lap than the past three films in the franchise, which dropped between 61% and 64%. The slightly lower dip can be contributed to strong word-of-mouth and minimal new competition this weekend.

With a staggering $252.5 million in 10 days, Furious 7 is already the highest grossing film in the franchise in North America, besting Fast and Furious 6‘s $238.7 million. Without a lot of big openers until May, the film has a good shot at holding the #1 spot for the next two weekends. A final of $350 million, which seemed like a far cry two weeks ago, now seems like a manageable target.

Remaining in second place was DreamWorks’ surprise hit Home, which dropped just 30% from Easter weekend to take in $19 million. Good word-of-mouth among families during March Break has continued to make the animated 3D comedy a popular choice. With $129.6 million so far, Home may not get to the $200 million mark, especially since many kids are heading back to school this week, but still, a final in the $180 to $190 million range – or roughly the same area that The Croods ($187.2 million) finished in two springs ago – is probable.

Down in third place with a mild opening was The Longest Ride, the newest Nicholas Sparks adaptation, with $13.5 million. The PG-13 romantic drama starring Scott Eastwood and Britt Robertson debuted in the lower range for Sparks novels that head to the big screen. While it did equal the $13.5 million start of The Notebook, the author’s biggest domestic hit, that film opened when ticket prices were much lower. Do no expect The Longest Ride, even with an A CinemaScore rating, to finish with six times its opening weekend like the leggy Gosling-McAdams drama. On the bright side, the film did surpass the first weekend of The Best of Me ($10 million) from last October.


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Author
Jordan Adler
Jordan Adler is a film buff who consumes so much popcorn, he expects that a coroner's report will one day confirm that butter runs through his veins. A recent graduate of Carleton's School of Journalism, where he also majored in film studies, Jordan's writing has been featured in Tribute Magazine, the Canadian Jewish News, Marketing Magazine, Toronto Film Scene, ANDPOP and SamaritanMag.com. He is also working on a feature-length screenplay.