Forgot password
Enter the email address you used when you joined and we'll send you instructions to reset your password.
If you used Apple or Google to create your account, this process will create a password for your existing account.
This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply.
Reset password instructions sent. If you have an account with us, you will receive an email within a few minutes.
Something went wrong. Try again or contact support if the problem persists.
The Irishman

Fans weigh in on whether ‘The Irishman’ is a vanity project

If there's anyone you don't want to mess with, it's Scorsese fans.

Back in 2019, storied filmmaker Martin Scorsese famously tweeted out his disappointment with the trajectory of the film industry, singling out superhero movies in particular and labeling them as “closer to theme parks than they are to movies.” Part of his frustration came from how the market is mainly drawn to franchise films nowadays, leaving little space for more individualized films, which happen to be Scorsese’s bread and butter.

Recommended Videos

His comments came around the same time of the release of his latest film, the quite-individualized The Irishman, a three-and-a-half-hour epic crime drama that follows a truck driver-turned-hitman named Frank (Robert De Niro) recounting a life of working for the Bufalino crime family, as well as the influential Jimmy Hoppa (Al Pacino). Like a great number of Scorsese’s films, it was met with critical acclaim and was nominated for countless accolades, despite not walking home with any.

According to The Hollywood Reporter, part of Netflix’s recent shift in philosophy to their film approach includes the axing of expensive “vanity projects,” of which the $175 million budget The Irishman was listed as an example, also noting a comment from one source, saying, “This tendency to do anything to attract talent and giving them carte blanche is going away.”

Twitter eventually caught wind of The Irishman being labeled as a vanity project, which kicked up an incredibly one-sided debate over whether it’s fair to call The Irishman a vanity project.

Some users understandably felt that the label was demeaning.

https://twitter.com/nopenotvr/status/1532310380210704385

Others pointed out that maybe Netflix is the problem.

For fans, it was especially a slap in the face to see The Irishman receive that label when, in their eyes, many other films were far more deserving of being dubbed “vanity projects.”

https://twitter.com/TonyHighwind/status/1532023530023309313

It seems like this was another misstep for Netflix, who hasn’t found the greatest foothold when it comes to public opinion this year. To single out The Irishman was a strange move, and Twitter was having absolutely none of it.

Scorsese’s next project is the Leonardo DiCaprio-led Killers of the Flower Moon, which is set to release in November later this year.


We Got This Covered is supported by our audience. When you purchase through links on our site, we may earn a small affiliate commission. Learn more about our Affiliate Policy
Author
Image of Charlotte Simmons
Charlotte Simmons
Charlotte is a freelance writer for We Got This Covered, a graduate of St. Thomas University's English program, a fountain of film opinions, and probably the single biggest fan of Peter Jackson's 'King Kong.' She has written professionally since 2018, and will tackle an idiosyncratic TikTok story with just as much gumption as she does a film review.