Forgot password
Enter the email address you used when you joined and we'll send you instructions to reset your password.
If you used Apple or Google to create your account, this process will create a password for your existing account.
This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply.
Reset password instructions sent. If you have an account with us, you will receive an email within a few minutes.
Something went wrong. Try again or contact support if the problem persists.

Sam Woolf’s 10 Best Films Of 2014

Like its housebound younger sibling, 2014 was a standout year for film specifically because it lacked a nucleus. Plaudits are settling on a handful of films to pin the year’s highest honors to, but no one movie was THE movie of 2014. Instead, the last twelve months offered a stunning selection of terrific all-arounders, works not defined by one exceptional element, but that were capable of providing the full, satisfying viewing experiences needed to achieve timelessness, and not just an Oscar.
This article is over 9 years old and may contain outdated information

5) Ida

Recommended Videos

Ida

With its remarkable black and white cinematography and classically mismatched leads, Ida is a captivating paradox. How does a film use rarely more than a third of the frame to develop such richly detailed imagery? How can camerawork that’s 99% static feel so lively from the first frame to the last? How can a deeply personal trek through the thorny landscape of post-Holocaust Poland often be so funny, sexy, and lively?

Half the answers lie in director Pawel Pawlikowski’s framing, which makes Ida look like a film that never moved beyond storyboarding because it never needed to; who needs technical trickery when you’ve got negative space, and faces that know how to use it? The rest of the answers can be found in the performances from stars Agata Trzebuchowska, as the titular church mouse on a journey of self-discovery, and Agata Kulesza, as Ida’s hard-drinking and harder-hewn aunt.

Like the rest of Ida, stark opposites bump combatively against one another until black and white dissolve into something in-between. Dichotomous as it might be, it’s the trio of director and actresses in Ida that make every profile a marvel, and every two-shot an act of sharing more than just space.


We Got This Covered is supported by our audience. When you purchase through links on our site, we may earn a small affiliate commission. Learn more about our Affiliate Policy