Image Credit: Disney
Forgot password
Enter the email address you used when you joined and we'll send you instructions to reset your password.
If you used Apple or Google to create your account, this process will create a password for your existing account.
This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply.
Reset password instructions sent. If you have an account with us, you will receive an email within a few minutes.
Something went wrong. Try again or contact support if the problem persists.
the-fabelmans-sammy-michelle-williams
Image via Universal Pictures

Steven Spielberg named as the architect of his own demise as ‘The Fabelmans’ disappoints at the box office

A surefire Oscars powerhouse, yet merely a blip on the radar for audiences.

In a turn of events that perhaps bothers Steven Spielberg least of all, it looks like The Fabelmans isn’t going to be shaking things up at the box office. Having made only $3.4 million in just under a week, Spielberg’s long-touted Oscars darling will likely be putting more butts in seats at the Academy Awards than in cinemas.

Recommended Videos

It’s hard to imagine the filmmaker having much of a care in the world for his film’s box office performance; being a semi-autobiographical work with a deeply personal subject to boot, the auteur seems more than happy to simply have gotten The Fabelmans out to the world, and the cinephiles out there will no doubt be thanking him in spades.

It wasn’t long, however, before the conversation surrounding blockbusters and box offices started cropping up again, sparked by one user pointing out that Spielberg, largely credited as the father of blockbusters thanks to Jaws, is facing box office struggles as superhero movies continue to allegedly hog the market in a development that mirrors the age-old story of a genius being destroyed by his own creation.

One user argued that blockbuster films are the only reason theaters are surviving nowadays, which isn’t an outrageous take by any stretch; if superhero stories and other adjacent big budget offerings just up and vanished, the odds that those same audiences would be lining up for the likes of The Fabelmans or The Irishman, to name a few, are realistically quite low.

Others simply blamed the lack of The Fabelmans‘ box office success on poor marketing, citing the sparsity of the trailers and promotional materials, as well as perceiving the ones they did see as inefficient at conveying what the film was about.

But, if the projections are accurate, The Fabelmans will be having the last laugh when it begins cleaning up at the Oscars, and we’ll all swiftly be reminded that at the end of the day, the true measure of a film will never be how much money it makes, but how staunchly it lights up the souls of those who see it.

The Fabelmans is currently playing in theaters.


We Got This Covered is supported by our audience. When you purchase through links on our site, we may earn a small affiliate commission. Learn more about our Affiliate Policy
related content
Related Content
Author
Image of Charlotte Simmons
Charlotte Simmons
Charlotte is a freelance writer for We Got This Covered, a graduate of St. Thomas University's English program, a fountain of film opinions, and probably the single biggest fan of Peter Jackson's 'King Kong.' She has written professionally since 2018, and will tackle an idiosyncratic TikTok story with just as much gumption as she does a film review.