Forgot password
Enter the email address you used when you joined and we'll send you instructions to reset your password.
If you used Apple or Google to create your account, this process will create a password for your existing account.
This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply.
Reset password instructions sent. If you have an account with us, you will receive an email within a few minutes.
Something went wrong. Try again or contact support if the problem persists.
Dahmer Series is Hugely Popular
Image via Netflix

‘I’m still processing all of it, to be quite honest’: Evan Peters still hasn’t shaken the effects of playing a serial killer

And Peters' trauma is just one piece of a gross puzzle.

All those years on American Horror Story could never have prepared Evan Peters for taking on the unenviable role of Jeffrey Dahmer, the infamous serial killer that far too many films and shows have chosen to make him the subject of. The world’s perverted obsession with real-life monsters should never come before the very real traumatization that affected families tend to go through whenever something like this gets made.

Recommended Videos

But, the heinously titled Dahmer – Monster: The Jeffrey Dahmer Story did the numbers, and now we’re getting a dramatized cinematic universe about serial killers from Netflix, in case you needed to catch up on the trajectory of the world. The mammoth amount of hours viewed, meanwhile, didn’t come without a personal cost to Peters himself.

In an interview with Vanity Fair, the WandaVision star opened up about the discomfort that comes with merely talking about embodying such a role, so one can only imagine the internal tribulations that came with actively putting on such a performance.

It does feel uncomfortable. It’s all been incredibly complicated and I’m still processing all of it, to be quite honest.

I’ll be transparent here: I didn’t watch Dahmer, I don’t plan on watching Dahmer, nor do I plan on watching anything that will come out of Netflix’s Monster franchise, including the recently released Monsters: The Lyle and Erik Menendez Story. The negative impacts that have come from the commercialization of these stories are more than apparent at this point, and we desperately need to stop feeding them.

There is value in the true crime genre; sobering accounts can go a long way in teaching important societal lessons. But this value can only be truly realized in a society that has a healthy relationship with media consumption, and it’s probably safe to say that we aren’t quite there at the moment.


We Got This Covered is supported by our audience. When you purchase through links on our site, we may earn a small affiliate commission. Learn more about our Affiliate Policy
Author
Image of Charlotte Simmons
Charlotte Simmons
Charlotte is a freelance writer for We Got This Covered, a graduate of St. Thomas University's English program, a fountain of film opinions, and probably the single biggest fan of Peter Jackson's 'King Kong.' She has written professionally since 2018, and will tackle an idiosyncratic TikTok story with just as much gumption as she does a film review.