Forgot password
Enter the email address you used when you joined and we'll send you instructions to reset your password.
If you used Apple or Google to create your account, this process will create a password for your existing account.
This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply.
Reset password instructions sent. If you have an account with us, you will receive an email within a few minutes.
Something went wrong. Try again or contact support if the problem persists.

Modern Family Review: “Message Received” (Season 5, Episode 22)

In the shadow of Louie's big return to TV, Modern Family is more tepid and contrived than usual, with the show's third disappointing episode in a row.
This article is over 10 years old and may contain outdated information

zap-modern-family-season-5-episode-22-message--008

Recommended Videos

Meanwhile, the third story, where Jay, Manny and Gloria press each other to confront something they don’t like doing – eating blood sausages, eating picles, rubbing Stella’s stomach tenderly – is tired and redundant. The set-up is the same as usual, as Jay wants his son to be brave and face a fear, Gloria scolds him for being a hypocrite and then vice versa. It is likely a story that segues into Jay confronting his discomfort with next week’s gay wedding. However, his damaging words to Mitchell feel baseless, more of a way to set up drama leading up to the two-part wedding finale that will air over the next two weeks than a reasonable expectation of the character. Although Jay has struggled with his views in past episodes, his eruption of intolerance is too much to bear and does not work.

The storylines in “Message Received,” which comes from showrunner Steven Levitan, only work if you can buy two things. First, we must accept that nowhere in the prior 117 episodes has any character made a reference to Claire’s premature pregnancy with Haley, which influenced her decision to marry Phil. Second, we must accept that Jay has neglected to mention his discomfort with going to a gay wedding for an entire season – and then speaks up about it the week after he confides in Mitchell about one of his own securities (from “Sleeper”). It is a bit too much to handle, especially for a series when the characters are usually so in sync with what has happened in past episodes. These are the defining twists of two subplots, but the contrivances are more distracting than refreshing.

At its best, Modern Family and Louie have a couple of things in common: both shows base their storylines in the experiences of its writers. (Check out this acceptance speech at the WGAs a few years ago, where Modern Family‘s writing staff explains the elements they borrowed from their daily lives.) Also, both deal with agony and ecstasy (although mostly the agony) of raising children, exploring family dynamics in honest ways. However, Modern Family keeps striking chords of falseness, which only seem more tepid when compared to a show as structurally daring and bracingly honest as Louie. This week’s stellar return of C.K.’s show only exacerbates the mediocrity of a series that is not up to its usual Emmy-winning form.


We Got This Covered is supported by our audience. When you purchase through links on our site, we may earn a small affiliate commission. Learn more about our Affiliate Policy
Author
Image of Jordan Adler
Jordan Adler
Jordan Adler is a film buff who consumes so much popcorn, he expects that a coroner's report will one day confirm that butter runs through his veins. A recent graduate of Carleton's School of Journalism, where he also majored in film studies, Jordan's writing has been featured in Tribute Magazine, the Canadian Jewish News, Marketing Magazine, Toronto Film Scene, ANDPOP and SamaritanMag.com. He is also working on a feature-length screenplay.