Image Credit: Disney
Forgot password
Enter the email address you used when you joined and we'll send you instructions to reset your password.
If you used Apple or Google to create your account, this process will create a password for your existing account.
This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply.
Reset password instructions sent. If you have an account with us, you will receive an email within a few minutes.
Something went wrong. Try again or contact support if the problem persists.

‘Spider-Man: No Way Home’ bringing back an iconic part of the Sam Raimi trilogy

In a cruel twist of irony, one of the weakest parts of the Marvel Cinematic Universe's Spider-Man franchise has been the actual web-slinging. Tom Holland's Peter Parker has had plenty of action sequences to sink his teeth into, but audiences have been fairly starved when it comes to seeing him soar through the streets and skies of New York City.

In a cruel twist of irony, one of the weakest parts of the Marvel Cinematic Universe’s Spider-Man franchise has been the actual web-slinging. Tom Holland’s Peter Parker has had plenty of action sequences to sink his teeth into, but audiences have been fairly starved when it comes to seeing him soar through the streets and skies of New York City.

Recommended Videos

The Amazing Spider-Man duology positively luxuriated in having Andrew Garfield thwip his way around town, with several extended sequences offering nothing more than the unbridled joy of seeing the superhero does what he does best. However, next week’s No Way Home is bringing back an iconic part of the Sam Raimi trilogy.

During an interview with Den of Geek, Tom Holland revealed that No Way Home director Jon Watts is using what he calls ‘RaimiCam’, which is the smash cuts and rapid zooms the filmmaker has been using throughout his career dating back to The Evil Dead.

“I think also, something that Jon Watts did really well is, he would call it the ‘Raimi cam,’ and he would do these really quick smash push-ins on characters, which is something Sam Raimi, I suppose, was quite famous for. So Jon definitely paid respect to the previous two movies.”

The finest example of RaimiCam in a Spider-Man setting came in his sequel, when Otto Octavius’ mechanical arms gain sentience and wreak havoc on an operating room. With Raimi waiting in the wings putting the finishing touches on Doctor Strange in the Multiverse of Madness, No Way Home is looking to beat the master at his own game.


We Got This Covered is supported by our audience. When you purchase through links on our site, we may earn a small affiliate commission. Learn more about our Affiliate Policy
Author
Image of Scott Campbell
Scott Campbell
News, reviews, interviews. To paraphrase Keanu Reeves; Words. Lots of words.