Posts by Martin Carr
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MoviesReview: ‘Top Gun: Maverick’ is here to save cinema
May 21, 2022 -
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ReviewsReview: ‘Star Trek: Strange New Worlds’ is a bold addition to the sci-fi franchise
May 3, 2022 -
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MoviesExclusive Interview: Writer Simon Allen and Director Toby Meakins discuss Netflix’s ‘Choose or Die’
May 2, 2022 -
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MoviesReview: ‘Dual’ is a melodrama held together by Karen Gillian on powerhouse form
May 1, 2022 -
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MoviesReview: ‘Choose or Die,’ challenging its audience, isn’t just another indie horror film
April 22, 2022 -
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TVExclusive interview: Gary Oldman, Kristin Scott Thomas, and Jack Lowden discuss ‘Slow Horses’
April 11, 2022 -
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MoviesReview: ‘Pirates’ marks the emergence of an intriguing writer-director
April 8, 2022 -
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MoviesSXSW Film Review: ‘Women Do Cry’ proves to be a hard hitting drama not for the faint hearted
April 8, 2022 -
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MoviesSXSW Film Review: ‘Pretty Problems’ just misses the mark when it comes to social satire
April 5, 2022 -
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ReviewsReview: ‘Slow Horses’ introduces audiences to a new kind of antihero
March 31, 2022 -
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MoviesSXSW Film Review: ‘The Blind Man Who Did Not Want to See Titanic’ is a rom-com game changer
March 29, 2022 -
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MoviesSXSW Review: ‘To Leslie’ embraces the stark realities of addiction
March 25, 2022 -
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MoviesSXSW Review: ‘It Is In Us All’ is a harrowing look at loss from the outside
March 25, 2022 -
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MoviesSXSW Film Review: ‘The Unknown Country’ proves to be a road trip to remember
March 24, 2022 -
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MoviesSXSW Film Review: ‘The Cow’ fails to deliver on a promising early premise
March 24, 2022 -
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MoviesSXSW Film Review: ‘Emergency’ struggles to strike a balance between drama and comedy
March 23, 2022 -
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ReviewsSXSW Film Review: ‘WeCrashed’ Jared Leto shines as ‘WeWork’ CEO that won’t take no for an answer
March 16, 2022 -
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ReviewsSXSW Review: ‘Swimming with Sharks’ retrofits a cult classic for contemporary audiences
March 16, 2022 -
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ReviewsReview: ‘Upload’ season 2 proves the afterlife has something for everyone
March 12, 2022 -
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ReviewsReview: ‘The Last Days of Ptolemy Grey’ fails to dig deep enough
March 12, 2022 -
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ReviewsReview: ‘Picard’ delivers a second season worth the wait
March 9, 2022 -
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ReviewsReview: ‘Winning Time: The Rise of the Lakers Dynasty’ is a solid gold classic
March 7, 2022 -
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MoviesSundance Review: ‘Something in the Dirt’ requires some heavy lifting
February 28, 2022 -
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ReviewsReview: New Epix series ‘From’ tackles more than monsters under the bed
February 21, 2022 -
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MoviesSundance Review: ‘Emily the Criminal’ offers up another slick turn from Aubrey Plaza
February 18, 2022 -
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ReviewsReview: ‘Severance’ savagely satires the idea of work-life balance
February 18, 2022 -
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ReviewsReview: ‘Bel-Air’ plunders a solid gold sitcom legacy for an inspired reinvention
February 14, 2022
Other Articles
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Movies‘TikTok, Boom’ offers a terrifying insight into the most downloaded app in the world
February 11, 2022 -
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MoviesSundance Review: ‘When You Finish Saving The World’ reveals Jesse Eisenberg to be a writer-director with promise
February 10, 2022 -
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MoviesSundance Review: ‘Am I OK?’ offers up a refreshing take on the rom-com dramedy hybrid
February 8, 2022 -
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MoviesSundance Review: ‘Resurrection’ is propelled by a staggering central performance
February 8, 2022 -
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MoviesSundance Review: ‘After Yang’ explores the grieving process with compassion
February 8, 2022 -
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MoviesSundance Review: ‘Living’ is a reflective fable on the joy of second chances
February 8, 2022 -
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MoviesSundance Review: ‘Call Jane’ is a contentious call to arms
February 8, 2022 -
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MoviesSundance Review: ‘God’s Country’ features a central performance of visceral intensity
February 7, 2022 -
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ReviewsReview: ‘Suspicion’ brings a talented ensemble cast to a provocative thriller
February 4, 2022 -
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MoviesSundance Review: ‘The Worst Person In The World’ is an instant classic
February 3, 2022 -
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MoviesSundance Review: ‘Fresh’ takes a scalpel to contemporary dating with surgical precision
February 2, 2022 -
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MoviesReview: ‘Alice’ embraces blaxploitation and emancipation in a search for identity
January 28, 2022
