Forgot password
Enter the email address you used when you joined and we'll send you instructions to reset your password.
If you used Apple or Google to create your account, this process will create a password for your existing account.
This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply.
Reset password instructions sent. If you have an account with us, you will receive an email within a few minutes.
Something went wrong. Try again or contact support if the problem persists.
bohemian rhapsody
Image via 20th Century Fox

An Oscar-winning hit that made $911 million at the box office but didn’t turn a single penny of profit settles a lawsuit it surely couldn’t afford

Hollywood accounting at its mind-boggling best.

It would be entirely reasonable and fully justified to assume a movie that raced to an eye-popping $911 million at the box office would be posting profit margins that were through the roof, but accounting instead revealed that Freddie Mercury biopic Bohemian Rhapsody allegedly ended up in the red.

Recommended Videos

Quite how a relatively inexpensive production that recouped its estimated $55 million budget almost 17 times over at the box office failed to turn a single penny of profit is somewhere between astonishing and mind-blowing, especially when you consider it would go on to nab four Academy Awards and rank as the highest-grossing biopic and straightforward drama in cinematic history until Christopher Nolan’s Oppenheimer came along.

Photo via 20th Century Studios

And yet, studio 20th Century Fox’s accounting statements highlighted a $51 million deficit, which served as the backdrop to writer Anthony McCarten filing a lawsuit claiming he hadn’t seen a fair share of the profits which he was contractually obligated to receive as part of his deal. The legal action has been dragging on for a while now, but it’s eventually been settled rather quietly.

While it hasn’t been revealed how much McCarten did or didn’t receive, his lawyer noted that “the parties have resolved the matter,” per The Hollywood Reporter. Only in the film business could a global sensation that earned Marvel money end up posting a loss by the time the dust settled, so it’s easy to see why the person credited solely for the screenplay had questions as to why they weren’t being compensated befitting the status of somebody who scripted a monolithic motion picture success story.


We Got This Covered is supported by our audience. When you purchase through links on our site, we may earn a small affiliate commission. Learn more about our Affiliate Policy
Author
Image of Scott Campbell
Scott Campbell
News, reviews, interviews. To paraphrase Keanu Reeves; Words. Lots of words.