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12 Female TV Directors Who Should Direct A Franchise Film

The conversation about the lack of female directors in Hollywood has been rumbling on for what seems like forever, but that conversation has now found itself at a crucial point. At long last, people are beginning to get specific. After decades of vague allusions to a seemingly intangible, invisible issue, the conversation is finally becoming louder, and less easy to dismiss as the supposedly irrational ramblings of radical feminism. This is thanks to the visible activism of those concerned about the situation – on social media and within the film industry itself. It is also thanks to organisations such as the Female Filmmakers Initiative – launched by the Sundance Institute and Women In Film Los Angeles – which commissioned a vital study into the barriers and opportunities facing independent filmmakers, who try to engage in filmmaking while female. This research was a three year study, and the findings of the third and final phase of it were recently delivered in a powerful and disturbing report.

Debbie Allen

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Lydia from Fame is also a writer, musician, artistic consultant, choreographer, producer and director, and has more experience in those roles than most could hope for. Those combined skills have resulted in the award-winning Allen becoming a sought-after director for high-profile television series.

After directing 11 episodes of Fame, Allen continued to call the shots, delivering instalments of Family Ties, The Fresh Prince Of Bel Air, A Different World, The Jamie Foxx Show, Everybody Hates Chris, The Client List, Jane The Virgin, How To Get Away With Murder, Scandal, Grey’s Anatomy and Empire.

What She Should Direct: With a body of work that is often family-oriented, combining elements of action with strong character, Allen would be another great choice for Chronicles Of Narnia – The Silver Chair.

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