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12 Female TV Directors Who Should Direct A Franchise Film

The conversation about the lack of female directors in Hollywood has been rumbling on for what seems like forever, but that conversation has now found itself at a crucial point. At long last, people are beginning to get specific. After decades of vague allusions to a seemingly intangible, invisible issue, the conversation is finally becoming louder, and less easy to dismiss as the supposedly irrational ramblings of radical feminism. This is thanks to the visible activism of those concerned about the situation – on social media and within the film industry itself. It is also thanks to organisations such as the Female Filmmakers Initiative – launched by the Sundance Institute and Women In Film Los Angeles – which commissioned a vital study into the barriers and opportunities facing independent filmmakers, who try to engage in filmmaking while female. This research was a three year study, and the findings of the third and final phase of it were recently delivered in a powerful and disturbing report.

Sanaa Hamri

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With a background in directing music videos for artists such as Prince and Mariah Carey, Sanaa Hamri has shifted her focus to television, with a smattering of feature films thrown in for good measure. While her feature work includes titles such as The Sisterhood Of The Travelling Pants 2, her directing of episodic television has yielded notable instalments of shows such as Desperate Housewives, Nashville, Hemlock Grove, Glee, Elementary, Shameless, and Empire – for which she also serves as co-executive producer for a number of episodes.

What She Should Direct: Hamri would be an inspired choice to direct a Fast And Furious movie. Her work in music videos, coupled with helming large-scale television productions that are necessarily heavily choreographed featuring large ensemble casts, suggests she would deliver an outstanding instalment to the franchise.

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