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Review: ‘Choose or Die,’ challenging its audience, isn’t just another indie horror film
April 22, 2022 -
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Review: ‘Barry’ is back, and he’s been cursed with the burden of everything he wanted
April 22, 2022 -
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Review: ‘The Unbearable Weight of Massive Talent’ spectacularly smashes the fourth wall
April 19, 2022 -
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Review: ‘The Northman’ proves worthy of Valhalla in blistering fashion
April 17, 2022 -
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Review: ‘MLB The Show 22’ Takes One Step Forward, Two Steps Back
April 13, 2022 -
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Review: ‘Pirates’ marks the emergence of an intriguing writer-director
April 8, 2022 -
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SXSW Film Review: ‘Women Do Cry’ proves to be a hard hitting drama not for the faint hearted
April 8, 2022 -
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Review: ‘Fantastic Beasts: The Secrets of Dumbledore’ is a minor victory for the flagging franchise
April 8, 2022 -
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SXSW Film Review: ‘Pretty Problems’ just misses the mark when it comes to social satire
April 5, 2022 -
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Review: ‘LEGO Star Wars: The Skywalker Saga’ was well worth the wait
April 4, 2022 -
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Review: ‘The Bubble’ is an overlong, self-indulgent slog
April 1, 2022 -
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Review: ‘Slow Horses’ introduces audiences to a new kind of antihero
March 31, 2022
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Review: ‘Everything Everywhere All At Once’ gives the multiverse a beating heart
May 10, 2022 -
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Review: ‘Salt and Sacrifice’ is a Soulsborne stuck in time
May 9, 2022 -
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Review: ‘Slapface’ is a creature feature that haunts for entirely different reasons
May 9, 2022 -
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Review: ‘Nintendo Switch Sports’ is more of the same
May 5, 2022 -
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Review: ‘Doctor Strange in the Multiverse of Madness’ is the MCU at its most ambitiously imperfect
May 5, 2022 -
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Review: ‘Star Trek: Strange New Worlds’ is a bold addition to the sci-fi franchise
May 3, 2022 -
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Review: ‘Heartstopper’ beautifully visualizes Alice Oseman’s endearing LGBTQ webcomic
May 3, 2022 -
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“Barry” pushes the self-destruct button in season 3, episode 2
May 1, 2022 -
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Review: ‘Inbetween Girl’ handles teenage girlhood with empathy and honesty
May 1, 2022 -
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Review: ‘The Twin’ blends the eerie with the emotional to chilling effect
May 1, 2022 -
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Review: ‘Dual’ is a melodrama held together by Karen Gillian on powerhouse form
May 1, 2022 -
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Review: ‘Pompo the Cinephile’ is an anime ode to Hollywood
April 26, 2022
