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Breaking Bad Review: “Granite State” (Season 5 Episode 15)

It has been tempting, throughout these last six weeks, to say Breaking Bad has had one of, if not the, best final seasons for an American drama series ever. Even the best of shows are prone to stumbling, in one small way or another, as they near the finish line, but not Breaking Bad. It seemingly got all its stumbling out of the way in last year’s good-but-not-great episodes, leaving these final eight hours open to deliver on every narrative, thematic, stylistic, and character-based promise the show has ever made – and then some. If anything, Breaking Bad has found a higher gear than ever before as it nears the finish line, for by honing in uncompromisingly on the dark, destructive consequences of Walter White’s criminal journey, the series has surprised, stunned, and emotionally devastated longtime viewers, even as it flawlessly delivers each big, climactic, long-anticipated moment in the most satisfying way possible. Best final season ever? I would not have dreamt it going in, much as I have loved Breaking Bad over the years. Yet with each passing week, that historical distinction has come closer and closer within the show’s reach.
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Gould also manages to do very compelling things with Jesse in a very short amount of time, but I am slightly less positive on the Jesse material, on the whole, than I am on any part of Breaking Bad right now. Again, nothing in the specific execution of tonight’s Jesse scenes bother me – his escape attempts are gloriously staged, shot, paced, and even scored, and Andrea’s execution is exactly as shocking and gut-wrenching as it is intended to be – but I wonder if the show’s sadism against the character has, perhaps, gone a tad too far.

I have joked in previous reviews that Vince Gilligan possibly gets some sort of sick, twisted pleasure out of torturing Aaron Paul on a weekly basis – and as “Granite State” reinforces, Paul is always capable of finding new, distinctive, endlessly effective notes of anguish to play – but in turning Jesse into a literal slave, and then having another girlfriend murdered before his eyes, I simply wonder if the torment is stacked too high. It all depends on how Jesse’s story pays off in the finale, but I assume the purpose for pushing Jesse so low at this point is so he is forced to take drastic measures during the show’s climax (like killing Mr. White and then himself, which is still my current prediction for how the series ends).

But if that is the case, then the show is overcompensating. Jesse does not need extra torment at this point to hit rock bottom – he already descended past that a long time ago, and his entire arc on the series has been one of increasingly painful emotional abuse and devastation. Jesse has only ever been allowed to be happy, in fact, when the show needed to set him up for a proportionally precipitous fall. Walt telling Jesse point-blank about Jane last week seemed like the perfect final straw for the character, the absolute culmination of all the terrible things that have happened to him, and going any further than that – no matter how well-executed the material is – simply strikes me as overkill. At a certain point, torturing a character is just torturing a character, especially if that character has already seen his spirit killed many times over.

Nevertheless, Aaron Paul remains amazingly good here, and I am interested to see what the final inception of Jesse looks like. Again, if his material in the finale effectively pays off on all the torment he has endured, including what he sustained this week, then I will have no complaints. As with all the other characters, major and minor, this is hopefully the sort of dark, rich character development necessary to properly position Jesse for the endgame. Breaking Bad has earned my trust – I just don’t want all the jokes I have been making about the writers’ sadistic relationship with Jesse to become literal.

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Author
Image of Jonathan R. Lack
Jonathan R. Lack
With ten years of experience writing about movies and television, including an ongoing weekly column in The Denver Post's YourHub section, Jonathan R. Lack is a passionate voice in the field of film criticism. Writing is his favorite hobby, closely followed by watching movies and TV (which makes this his ideal gig), and is working on his first film-focused book.