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Read Steven Moffat’s Farewell Letter To Doctor Who

If there’s one downside to the great news that Jodie Whittaker is joining Doctor Who as its first ever female Doctor this Christmas, it means that we don’t have much longer left with the amazing Peter Capaldi. The Scottish actor has proven himself born to play the part of the centuries-old Time Lord over the past three seasons and his performance has been reliably brilliant throughout.
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If there’s one downside to the great news that Jodie Whittaker is joining Doctor Who as its first ever female Doctor this Christmas, it means that we don’t have much longer left with the amazing Peter Capaldi. The Scottish actor has proven himself born to play the part of the centuries-old Time Lord over the past three seasons and his performance has been reliably brilliant throughout.

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There’s another important changeover to keep in mind, though, as this year’s Christmas special will also be the last episode helmed by Steven Moffat as showrunner after working on the hit series for six seasons. That’s a long time to spend on a project, especially one as time consuming as this, and the writer/director is clearly getting a bit emotional as his job comes to an end.

Taking to Doctor Who Magazine to pen a farewell column of sorts, Moffat put together his final words about the show, reflecting on his time running it and saying goodbye to his fans. It’s quite a lengthy post, but have a look at it below and see what’s going through his mind as his time on Doctor Who winds down.

You know who the next Doctor is. At least, I think that will be out by the time you read this. Old Chibs (as he must always now be known) is playing his cards close to his chest, and won’t tell me a thing. I attempted to give him some sage advice on the subject of secrecy, but he gave me a look, as if to say, “Seriously, have you checked your own record on this??” and had me removed by security. Again. But it’s comfy here, in my skip in the Roath Lock car park, and Russell is good company. When we’re both not crying, that is.

Actually, I’m not comfy at all. I’ve got everything crossed. Can Old Chibs pull it off? Can we actually have a new Doctor that’s a proper surprise, the way it’s supposed to be? I do hope so! But you know all that by now, out there, in the glorious new dawn.

And the fact is, I have no more news for you. Barely any secrets to keep. One more Special on Christmas Day, and I’ll be gone before the end credits. A brand-new team will go blazing into action, and in the far future, vast new Andrew Pixley Archives will form in the void.

But frankly, even I don’t care about me – this is all about Peter Capaldi. I saw him at the end, you know. The very last shot you see of him as the Doctor is in fact (brilliant scheduling by amazing producer, Pete Bennett) the very last thing Peter did on the show. Just as popping out the TARDIS and confusing Strax was the very first thing he did in Deep Breath, all those centuries ago. Since then he’s faced down a Mummy on the Orient Express, talked down a Zygon war using a couple of empty boxes, punched a wall for four and a half billion years, misunderstood the romantic intent of a puddle, decked a racist, insulted Santa, had a 24-year date in a restaurant, and played gooseberry when Missy met herself. He’s been gentle and fierce and rude and kind, and now with a wave of his hand and a flap of his cuff, he’s striding into the sunset to give it a piece of his mind. Be there for him on Christmas Day – Scotland’s finest in his final hour. He’ll break your heart and save your galaxy, all over again.

It was funny, that last day. I was in the studio for most of it, which is the first time I’ve ever managed that on Doctor Who. Normally, there’s so much else to do – new season to plan, new scripts to write, new stars to find. But now, with my time on the show winding down, with desks falling empty, and computers falling silent, and endless rounds of goodbye drinks, there’s nowhere else for me to be.

Brian Minchin is here today. And we sit and laugh and chat, and marvel at Peter’s extraordinary final performance. Every take is different and beautiful in a new way, and how the hell are we supposed to choose just one? It’s not goodbye to Brian, I’m delighted to say – he’s joining me and Sue at Hartswood Films, and we have dark and mighty plans.

Rachel Talalay, our finale specialist, is directing. She’s come back to see number 12 off into the shades but I very much hope she’ll be directing more Doctor Whos in the future. She keeps hinting that she won’t, though.

“You’re already directing the new one – you’re doing the regeneration!”
“Yes, but apart from that.”
“You probably know who the new Doctor is, and everything!”
“No, I don’t”
“You had a secret dinner with Matt Strevens and Old Chibs!”
“It wasn’t secret!”
“Well, I didn’t know about it.”
“No-one thought to tell you, it was just for people who are… you know…”
“What?”
“Involved.”

I was alright after a bit, and the nurse with the oxygen was very nice.

“Who’s the new Doctor?” I demanded to know from my stretcher, mostly in hand signals.
“I don’t know,” lied Rachel, probably.
“Just the initials.”
“I don’t know.”
“Will you tell me if I cry?”
“You’re already crying.”
“… Would you like ten pounds?”

There’s another goodbye coming up – and frankly it’s right here. My old friend, the wise and kind King of Numbers himself, Tom Spilsbury, is leaving this magazine. It’s funny, we’ve done almost everything in parallel in Doctor Who. He was assistant editor on the mag, while I was an occasional writer for Russell’s era. He became editor only shortly before I became showrunner. And now, at the end, we’re tumbling out the door together. We’ve tumbled out of quite a few doors together, but I’m damned if I’m telling you which pubs. Once a month, for so many years, Tom would remind me that this column was due. No, that’s a lie. He’d remind me several times a month. Towards the end, in a very high voice, with crying. Well, no more! These days are over. Tom’s entirely brilliant era of DWM is drawing to a close with every word you read, my time on Doctor Who is vanishing like breath on a mirror, and this column too is about to pop out of existence.

It’s funny how things you take for granted just disappear, isn’t it? That school you went to every day and then never go back to, that friend you part from laughing and never see again, all those doors that click behind you without you knowing they’re closing forever. I first wrote Doctor Who in 2004, and I very much hoped I’d get to write it again. Then I wrote more, and then so much more, until I thought it might go on forever. I remember at some awards dinner, telling Brian I loved my job so much I couldn’t imagine ever stopping. In other more melancholy moments I knew that everything ends and wondered what the very last words I’d ever write about Doctor Who would be. Well, the time has come, and here they are.

All my love, good luck and goodbye.

Known for storylines that were always a bit too complex but beautifully written monologues and some truly inspired episodes that more than made up for that, Moffat’s certainly had his critics over the years. On the whole, though, he’s done a terrific job of running the show and has been instrumental in bringing it the level of worldwide recognition it now has. As such, we’re definitely sad to see him depart and are looking forward to watching his final outing, which will be the upcoming Christmas special.

Aptly titled “Twice Upon a Time,” it’ll be with us on December 25th and will surely be a bittersweet festive treat, what with Peter Capaldi also poised to bid farewell to Doctor Who and ultimately give way for the incoming Jodie Whittaker, who will then take point for the show’s eleventh series next fall.


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Matt Joseph
Matt Joseph is the co-founder, owner and Editor in Chief of We Got This Covered. He currently attends the University of Western Ontario and is studying at the Richard Ivey School of Business. He works on We Got This Covered in his spare time and enjoys writing for the site.