7 Excellent But Morally Problematic Movies

The Passion of the Christ 7 Excellent But Morally Problematic Movies

Movies possess a power over popular culture, one that is diminishing but nevertheless impossible to ignore. They have the ability to broadly influence people in a way that perhaps no other form of art/entertainment is currently able to do. With that great power, it is said, subsequently comes great responsibility. So for as long as it has been culturally significant, film has for many people been the subject of a certain moral requirement, that it should teach its huge audiences how to be righteous while it entertains their attention.

Plenty of casual and professional critics have offered their opinions on movies largely based upon the how effectively they deliver a sound moral message. To an extent, everyone does this. It’s tough to like a movie when you find its dominating theme completely repellant. There are many, myself included, that can’t take the show 24 seriously largely because of its insistence that torture is awesome (I also don’t find it interesting enough to sustain a 24-“hour” season). More recently, Zero Dark Thirty has also caused many to question its portrayal and attitude toward torture. Other recent hits like Django Unchained have sparked debates over violent depictions in movies and the complications around hailing violent movies as great.

In the latter two cases, I think the objections are unfounded because both of them deal with their central moral conundrums in interesting ways. But is it possible for a movie to excellent at the same time that it is morally disgusting? Can we be of two minds, that a film is excellent in its filmmaking and artistry, but repugnant in its ideas? I say yes, based on several experiences with movies that I find incredible as well as incredibly foul. It’s a weird and troublesome duality to try and deal with, but that just makes it fun to think and talk about. Here are 7 instances of morally problematic movies I’ve seen that fall into this category, and have left me conflicted.

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  • solgazer

    oh you went online to check the validity of the JFK conspiracy. oh well. well done then. well researched sir. tip of the hat to your investigative brilliance.
    you meat puppet.
    the book and investigative journalism this film is based on were slightly more rigorous in their approach than you have been.
    you absolute meat puppet.

    • Darren Ruecker

      I assure you that the conclusion “Yeah…no” is a direct quote from a thorough, peer-reviewed study.

      • Edward La Guardia

        That may be true to but I think what the solgazer was trying to say (even though he didn’t say it very nicely) is that Stone presents so many different arguments that it is pretty much impossible for anyone to discredit all of them…and if only one of them is true then it means there was a conspiracy of some kind.

        No matter if it was tons of people or just Oswald and one other person. The point is that people cannot deny that too many things lined up a little too perfectly leading to Kennedy’s death.

        Even the House held an investigation a decade in the 70′s and they concluded that there it was likely that there was more than one shooter.

  • Fernando Yanmar

    you forgot to mention the incredibles, despite being amazing it has the most confusing morals i’ve seen on an animated picture, i meam, syndrome was only trying to be like mr. incredible, but got kicked out of it by his own hero

  • Will

    The passion of the Christ issues that make everyone so mad are all from the bible. I’m not saying the bible is does’t have its dark points or anything but the racist tendencies in it are just what is written. Gibson didn’t make them up to put Jewish people in a bad light, he just made the movie based off the bible.

    • http://www.facebook.com/rob.lamoreux Rob Bammin Lamoreux

      Umm the issues that irritated me weren’t racist at all…they were things he added in unnecessarily. If you are going to make a story based on a much-read book, don’t add to it. Mary cleaning up Jesus blood, Jesus getting 91 lashes when 29 was the Roman maximum, the temple splitting in half, the crow pecking the thief’s eyes, the demon children scaring Judas into hanging himself with the rope that tied off the (now dead and rotting?) donkey Jesus rode into Jerusalem, Jesus getting knocked off the wall of Gethsemane, Jesus getting flipped over on the cross multiple times, Satan either laughing or screaming in anger in hell after Jesus death (heck if I could tell which it was)….the list goes on. This movie was a snuff film with indeterminable symbolism scattered throughout.

  • skunkybeaumont

    The KKK wasn’t in Django Unchained. There was a large group of goons on horseback with bags covering their heads but no KKK.

  • http://www.facebook.com/profile.php?id=746875316 Jon ‘Jonny’ Preece

    but…but….crows ARE black

  • BudaSideHero

    Seriously, critics should get over this whole racism thing. Oh, racism here, racism there, blablabla. Come on, the movies you refer as racist were made in an era where the term racism didn’t even exist! Of course I am not saying racism is something we shouldn’t judge awful, it’s just that those were different times. I find it very hypocrite to refer to great films as awful ones just because they depicted things in a way which today is called poitical incorrectness.
    An concerning Gibson or Polanski, in my opininon it is a very, very way of judging art by the acts of the artist. It’s just not fair.

  • G.Y. Water

    I would add “Triumph of the Will” the Nazi documentary/propaganda film by Leni Riefenstahl of the Nuremberg rally .
    I have the the same problem with Woody Allen that you have with Polanski.