In We Got This Covered's newest podcast, Matt Donato and Dominic Mill clunk their Troma-loving heads together in an epic discussion of all things B-Movie - from Kaufman to Corman, they cover it all.
The second episode of The Tea & Crumpet Filmcast sees an all-out, balls to the wall discussion of all things Guardians of the Galaxy. Dom and Liam are joined by Dr. Lindsay Hallam (Lecturer in Film at the University of East London) and James Cherry (The London Film Review) to discuss the boundless merits of cybernetic raccoons, jokes about black lights and - of course - THAT post-credits cameo.
As poetic and downright weird as the snake-hipped icon at its center, 20,000 Days On Earth is a messy and endlessly fascinating look at one of music's great wild men.
With Cinema Assault and The Cast Inside The Strain now in full swing, We Got This Covered is looking to expand our podcast collection. We're doing so by welcoming The Tea & Crumpet Filmcast into our library of audio entertainment. Formerly known as The Screen Robot Filmcast, The Tea & Crumpet Filmcast will be putting a British spin on the world of movies as we run down the UK's hottest releases each week and give you our thoughts on what we've seen.
A promising cast, a zany concept and a lead eager to cast off her type-cast shackles don't add up to much in Life of Crime, as it ultimately turns out to be a caper-farce that's chronically short of panache.
Boyhood is an oversized and sprawling smorgasbord of a movie, blending the beautiful with the irritating in a rich and messy tapestry of growing pains and pubescent grumbling.
With their particularly French brand of social realism and a back catalogue garlanded with Palme d'Ors and oceans of critical praise, the Dardenne brothers stand firmly atop the pinnacle of art house cinema. Most actors would crawl through rusty nails to work with them at this point (they've all but singlehandedly forged careers for many in the past) and an exclamation mark-packed set of press notes for Two Days, One Night, their latest outing, shows that Marion Cotillard is no exception. Her enthusiasm and investment in the project is evident, it's just a shame about pretty much everything else. I like the Dardennes as much as the next guy, but Two Days, One Night is aimless, depthless and face-poundingly dull.