Forgot password
Enter the email address you used when you joined and we'll send you instructions to reset your password.
If you used Apple or Google to create your account, this process will create a password for your existing account.
This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply.
Reset password instructions sent. If you have an account with us, you will receive an email within a few minutes.
Something went wrong. Try again or contact support if the problem persists.
Locked In. Anna Friel as Nurse McKenzie in Locked In.
Cr. Courtesy of Netflix © 2023

Proving there’s truly no accounting for taste, Netflix’s most-watched new additions on both film and television have identically awful reviews

Big numbers for bad projects, which is par for the course.

Having become virtually bulletproof from critics, Netflix has settled into a groove of sending out exclusive and expensive original titles that more often than not take an absolute pasting from critics, but can be relied upon to succeed where it really counts by racking up significant viewing figures.

Recommended Videos

This week, the streaming service has offered a two-for-one deal, with its number one most-watched English-language movie and TV show both suffering from near-identically terrible reviews, which has obviously done nothing to dissuade subscribers that sinking their time into either – or both – was worth it.

All the Light We Cannot See. Louis Hofmann as Werner Pfennig in episode 104 of All the Light We Cannot See.
Cr. Courtesy of Netflix © 2023

On the feature-length front, trashy thriller Locked In may have failed to defeat equally-mundane French actioner Wingwomen to claim the overall top spot, but 28.8 million hours viewed and 17.8 million views still put it miles ahead of every other new arrival to have hit the library over the last week bar one.

Meanwhile, Shawn Levy’s bungled adaptation of Pulitzer Prize-winning novel All the Light We Cannot See easily crushed the episodic competition on every front, notching 37.6 million and 9.8 million across the aforementioned metrics. The two couldn’t be more different in virtually every way, but one thing they do share is a terrible Rotten Tomatoes score.

Locked In has topped out at 24 percent on the aggregation site, barely ahead of the World War II epic’s 23 percent. Just as panned as each other, they’ve done what the majority of tedious Netflix originals do anyway, and wasted no time in reaching the summit of the charts.


We Got This Covered is supported by our audience. When you purchase through links on our site, we may earn a small affiliate commission. Learn more about our Affiliate Policy
Author
Image of Scott Campbell
Scott Campbell
News, reviews, interviews. To paraphrase Keanu Reeves; Words. Lots of words.
twitter