Orange is the New Black
So far, the opening title sequences in this feature have been a complex bunch, with intricate settings and deep thematic introspection. However, some beautiful openings sequences can bring out the setting in a couple of sound effects and introduce the diversity and humanity of the series with spare, simply framed photographs. Orange is the New Black is one example of how less can be more.
Much of the show’s success is tied to its lack of judgment toward characters from all walks of life, no matter their ethnic background or socioeconomic status. The show takes place at a female penitentiary and has spent the finer time of two seasons going into detail about the shattered backstories and unfulfilled desires of more than a dozen compelling characters. Although the show is peppered with sharp and sometimes off-color humor – enough so that a nod in the Best Comedy category at the Emmys felt right – it is a drama with a rich tapestry of characters. They all happen to be women, but that is besides the point.
The opening consists of a bunch of close-ups of female faces, taking in their scars, freckles and blemishes while the women stare straight out at the camera, defiant. Instead of focusing on the characters at Litchfield prison, the women featured in this title sequence were all formerly incarcerated. (One could have thought that the women were all supporting characters from the show, which speaks to how truthful the performances on the series are.) With Regina Spektor’s moving song “You’ve Got Time” playing over these stunning images, we feel the joy and sorrow, the pride and strength of many women we do not know beyond their picture. Such is the power of Orange is the New Black’s bruising, beautiful opening sequence.
