Forgot password
Enter the email address you used when you joined and we'll send you instructions to reset your password.
If you used Apple or Google to create your account, this process will create a password for your existing account.
This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply.
Reset password instructions sent. If you have an account with us, you will receive an email within a few minutes.
Something went wrong. Try again or contact support if the problem persists.

7 Things That The MCU Can Learn From Thor: Ragnarok

This article is over 7 years old and may contain outdated information

You Don’t Need Tony Stark

Recommended Videos

As one of the biggest characters in the MCU, Tony Stark has appeared in a multitude of the franchise’s biggest movies. In fact, he’s to the MCU what Batman is to the DCEU; however, audiences have wised up to this and grown weary of his presence. Remember how most of Spider-Man: Homecoming‘s criticisms were about Tony’s presence in the marketing and trailers?

The criticism is a tad unfair since the filmmakers are only giving the casual viewers exactly what they want to see. Nonetheless, they should be pleased that Thor: Ragnarok proved you don’t need Tony in a Marvel film to be successful. Yes, the character is referenced several times throughout, but did it ever feel like it was forced or was it simply a natural conversation due to the shared universe?

Tony will always be money in the MCU – that’s a fact and something we should all accept by now. Even so, he doesn’t need to be inserted into every movie for it to be successful. Along with Guardians of the Galaxy, this film is living proof of that.


We Got This Covered is supported by our audience. When you purchase through links on our site, we may earn a small affiliate commission. Learn more about our Affiliate Policy
Author
Image of Sergio Pereira
Sergio Pereira
Writer
Sergio is an entertainment journalist who has written about movies, television, video games, and comic books for the likes of Screen Rant, CBR, Looper, IGN, Thought Catalog, and Fortress of Solitude. Outside of journalism, he is an award-winning copywriter, screenwriter, and novelist. He holds a degree in media studies and psychology.