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9 Film Adaptations That Are Better Than The Book

Of course, there is the popular axiom that “the book is always better than the movie.” There are many reasons for this: a great book can immerse you for many nights of reading, while a film has just a couple of hours to fill your time with the same story and characters. The novel or book is the primary work of one person with a small crew of helping hands, like editors. With a film, there are many more cooks in the kitchen, so to speak, making it likelier for certain aspects – from the acting to the accuracy of the set design – to not live up to readers’ expectations. Most of all, novels that come with a first-person perspective often give screenwriters a challenge, since the writer must bring the idiosyncratic thoughts and feelings of the character to life through a visual medium.
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Being There

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Being-There

There is something bewildering about Jerzy Kosinski’s satire about a humdrum gardener, Chance, who becomes both an elusive and distinguished member of celebrity culture – all by a misunderstanding. The only thing Chance knows well is gardening. When he discusses his work to obtain a sustainable garden, business professionals and politicians hail him for his insightful commentary on the state of American capitalism.

All of Chance’s references to his garden are literal, but everyone else sees his comments as metaphors that perfectly encapsulate the state of American capitalism. “Gardens need a lot of care,” Chance says. “But if you love your garden, you don’t mind working in it, and waiting. Then in the proper season you will surely see it flourish.”

It is an exquisite satire, although Kosinski’s novella is really a one-joke work. Chance is routinely mistaken as a profound man, with a potent, inquisitive mind who can communicate America’s ills on television. However, he is more of a symbol than a character in the short novel. Peter Sellers’ portrayal of Chance is more full and sublime, perhaps doing more acting with one knowing expression than many actors can do during an entire film.

Avoiding the farcical, frenetic comedy shtick he popularized as Inspector Clouseau, Sellers gives Chance the calm, perceptive, compassionate demeanor that adds a depth and feeling that the novella lacked. He slowly and slyly becomes the heart of the film, a pale mask that can exhibit startling humour without having to force a laugh.


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Author
Image of Jordan Adler
Jordan Adler
Jordan Adler is a film buff who consumes so much popcorn, he expects that a coroner's report will one day confirm that butter runs through his veins. A recent graduate of Carleton's School of Journalism, where he also majored in film studies, Jordan's writing has been featured in Tribute Magazine, the Canadian Jewish News, Marketing Magazine, Toronto Film Scene, ANDPOP and SamaritanMag.com. He is also working on a feature-length screenplay.