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Jonathan R. Lack’s Top 10 Films Of 2013

This is the Top 10 list I have been waiting my entire critical career to write. I have been reviewing movies since 2004, and compiling Top 10 lists since 2006, and while the latter task has become increasingly stressful with each passing year – maybe because I see a greater number of movies each year, and maybe because the industry has been on a general upward trend in recent times – I have never had the pleasure or challenge of compiling such a dense collection of cinematic brilliance for my year-end countdown. It is always tough at first, whittling the list of contenders down to the actual ten titles, but if I am being honest, I also find that most Top 10 lists I make are made up of a few films I might call legitimate masterworks, a bunch of great movies I love intensely, and, at the bottom, a sentimental pick or two that most clearly reflects my own obsessions and interests. And that’s perfectly fine, because a Top 10 list constructed like that still represents a whole lot of very meaningful cinema.
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[h2]4. Short Term 12[/h2]

Short Term 12Brie Larson and Keith Stanfield

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Destin Cretton’s Short Term 12 is remarkable not only for its detailed, sharply observed portrait of life at a foster care facility for at-risk teenagers, but for its ability to approach these kids and their stories not with fear or apprehension, but with only the deepest empathy and the sincerest desire to understand. In that way, the film falls in line with its extraordinary main character, Grace – brought to life by Brie Larson in what is surely one of 2013’s single greatest performances – the lead facility supervisor who is introduced as someone overwhelmingly competent at and perfect for her job. As the film goes along, constantly deepening and enriching its characters and storytelling, we come to realize that Grace is every bit as damaged and tortured as the teenagers she cares for, and more importantly, we are made to understand that this is absolutely all right. Exemplified by each of the troubled teens Grace works with, and especially by Grace herself, the film argues that no matter where a person comes from or what pain they carry in their hearts, people are worth investing in, and always have the capacity to rise above circumstance.

Examining the ways in which non-biological families are constructed, and how love and acceptance exist separate from blood or social borders, the film is a blindingly beautiful celebration of humanity’s capacity for empathy, and how a desire to understand and an ability to reach out towards others is perhaps the greatest asset a person can have. In the midst of its own unflinching darkness, Short Term 12 finds a powerful source of light, and in a world that can feel increasingly bleak and unforgiving with each passing day, where optimism and humanistic belief are increasingly hard to hold on to, that makes Short Term 12 far more than just a great film – in truth, it may be a miracle.

Short Term 12 is not currently playing in theatres, but will arrive on DVD and Blu-Ray January 14th.

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Jonathan R. Lack
With ten years of experience writing about movies and television, including an ongoing weekly column in The Denver Post's YourHub section, Jonathan R. Lack is a passionate voice in the field of film criticism. Writing is his favorite hobby, closely followed by watching movies and TV (which makes this his ideal gig), and is working on his first film-focused book.