Movie Poster Trends: From Art Form To Boredom
Forgot password
Enter the email address you used when you joined and we'll send you instructions to reset your password.
If you used Apple or Google to create your account, this process will create a password for your existing account.
This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply.
Reset password instructions sent. If you have an account with us, you will receive an email within a few minutes.
Something went wrong. Try again or contact support if the problem persists.

Movie Poster Trends: From Art Form To Boredom

Once upon a time, movie posters often turned out to be iconic works of art - fascinating and striking visual representations of great cinematic efforts. They were filled with passion and reverence for the project they were depicting and, as promotional material, they heightened anticipation for the film.
This article is over 11 years old and may contain outdated information

Theatre Lobby

Recommended Videos

Once upon a time, movie posters often turned out to be iconic works of art – fascinating and striking visual representations of great cinematic efforts. They were filled with passion and reverence for the project they were depicting and, as promotional material, they heightened anticipation for the film.

It was, in days gone by, a veritable rite of passage for the young enthusiast to attempt to snag one from the multiplex, once they had removed them from display. As film fans, who among us has not, at some point in their life, proudly displayed the poster of a favourite film – perhaps even in a frame – either to announce the depth of meaning it holds for the viewer, or to simply enjoy the artistry required to create it.

Nowadays, however, most film posters look like this:

They have become as predictable and formulaic as the majority of films they are designed to promote. Just as originality has become a rarity in cinema, it has become a rarity in poster artwork, too – striking a heavy blow at the heart of a beloved cultural tradition.

The demise of the carefully thought out, well-crafted film poster has been gradual, but steady. As technology has evolved, so have these pictures – changing from hand-drawn artwork to photographic images. Unfortunately, rather than embrace these advances and exploit the endless possibilities they bring, the film promotion industry has taken the opportunity to homogenise the art form and create a perpetual re-hashing of the same handful of images.


We Got This Covered is supported by our audience. When you purchase through links on our site, we may earn a small affiliate commission. Learn more about our Affiliate Policy
Author
Image of Sarah Myles
Sarah Myles
Sarah Myles is a freelance writer. Originally from London, she now lives in North Yorkshire with her husband and two children.