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10 Extraordinary Partnerships Between Composers and Directors

I find the relationship between music and film not only fascinating, but absolutely essential to my understanding and enjoyment of the medium. Good music does not guarantee a good film, of course, but the best movies tend to be the ones that make the most meaningful use of music, and the greatest scores are almost always written for truly incredible works of art.
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[h2]10. Carter Burwell and The Coen Brothers[/h2]

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Unlike many of the other entries on this list, music is not among the first things one thinks of when discussing The Coen Brothers. The writing, performance, and cinematography in all their films are probably more significant – Roger Deakins is arguably their most important collaborator overall – but I would be remiss if I neglected what great work Carter Burwell has done with the directing duo over the years. He has scored nearly every one of the Coen’s movies, and while few of those scores stand among the very best the medium has to offer, all of them are a crucial, impressive component of each film’s production.

There is an admirable subtlety to Burwell’s music, a total lack of ego that allows his work to blend seamlessly into the fabric of the film. This is true with most of his scores, no matter the director, but he is at his best with the Coens, where his music often works to ground the zanier or more heightened aspects of their films. This is not always the case, of course; True Grit is an excellent example of Burwell writing directly to the genre, and succeeding in spades, while his music for A Serious Man is a direct extension of the film’s somber, contemplative elements. Whatever the case, Burwell always fulfills whatever need the Coen Brothers have for him. He is incredibly versatile, and it is hard to picture the Coen’s filmography without him.

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Author
Image of Jonathan R. Lack
Jonathan R. Lack
With ten years of experience writing about movies and television, including an ongoing weekly column in The Denver Post's YourHub section, Jonathan R. Lack is a passionate voice in the field of film criticism. Writing is his favorite hobby, closely followed by watching movies and TV (which makes this his ideal gig), and is working on his first film-focused book.