Forgot password
Enter the email address you used when you joined and we'll send you instructions to reset your password.
If you used Apple or Google to create your account, this process will create a password for your existing account.
This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply.
Reset password instructions sent. If you have an account with us, you will receive an email within a few minutes.
Something went wrong. Try again or contact support if the problem persists.

10 Extraordinary Partnerships Between Composers and Directors

I find the relationship between music and film not only fascinating, but absolutely essential to my understanding and enjoyment of the medium. Good music does not guarantee a good film, of course, but the best movies tend to be the ones that make the most meaningful use of music, and the greatest scores are almost always written for truly incredible works of art.
This article is over 11 years old and may contain outdated information

[h2]7. Howard Shore and David Cronenberg[/h2]

Recommended Videos

Howard Shore is best known for his legendary work scoring Peter Jackson’s The Lord of the Rings – arguably the greatest film score ever composed – but before his adventures in Middle Earth, Shore’s film career primarily involved collaborations with David Cronenberg. To this day, their creative partnership remains one of the tightest in the industry, with Shore having written the score to all but one of Cronenberg’s films from 1979 onwards.

It is an easy collaboration to take for granted, in fact, but a highly important one when examining the relationship between composer and director. Cronenberg is one of the most unpredictable filmmakers working today, having made all different kinds of horror, dark psychological dramas, period pieces, and more; through it all, Shore has adapted perfectly, his music playing an indispensable role in realizing Cronenberg’s evolving tonal ambitions. Shore’s Cronenberg scores are almost entirely unrecognizable from his sweeping, symphonic work on Lord of the Rings, but the same musical expertise and precision that defined those scores is always on display in Cronenberg’s films, even though the music is smaller, subtler, and affects the viewers in less obvious ways. Cronenberg would not be the director we know and love without Shore’s contributions, and I believe the same probably holds true the other way around; these films gave Shore the opportunity to become a great composer, and the world of film is infinitely richer for his genius.

Continue reading on the next page…


We Got This Covered is supported by our audience. When you purchase through links on our site, we may earn a small affiliate commission. Learn more about our Affiliate Policy
Author
Image of Jonathan R. Lack
Jonathan R. Lack
With ten years of experience writing about movies and television, including an ongoing weekly column in The Denver Post's YourHub section, Jonathan R. Lack is a passionate voice in the field of film criticism. Writing is his favorite hobby, closely followed by watching movies and TV (which makes this his ideal gig), and is working on his first film-focused book.