Forgot password
Enter the email address you used when you joined and we'll send you instructions to reset your password.
If you used Apple or Google to create your account, this process will create a password for your existing account.
This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply.
Reset password instructions sent. If you have an account with us, you will receive an email within a few minutes.
Something went wrong. Try again or contact support if the problem persists.

5 Directors Who Should Remake Their Own Films

There's must be something in Hollywood's water, for remakes are popping up like never before - maybe the water's recycled? Remakes, however, are not a new phenomenon, as they’ve been around almost as long as original films, such as with 1918’s “The Squaw Man,” a remake of a 1914 film of the same name.
This article is over 8 years old and may contain outdated information

Steven Spielberg/1941

Recommended Videos

5188832835_b03f29fd69_z

Most remakes are the descendants of classics, playing the nostalgia card and riding the success of their forefather all the way to the bank, like a trust-fund baby. I, however, would like to see more remakes of horrible mistakes–a chance for an artist to right a past wrong. Steven Spielberg’s backlog is filled to the brim with classics, but between Close Encounters of the Third Kind and Raiders of the Lost Ark, he released the tragic misfire of 1941.

Despite exploding with comedic talent – the likes of John Belushi, Dan Aykroyd and John Candy – and littered with colossal set-pieces, the film is without the connective tissue of human interest. It’s essentially a series of special effects loosely tied together with the bewildered faces of Saturday Night Live alumni. Every great artist will occasionally break a pencil, so, should Spielberg be given a second chance at the film, I’m confident he’d turn a mediocre movie into a great one.

The two saving graces of 1941 are the cast and the imaginative spectacle, so these aspects should certainly carry on into the remake. All that’s left is to attach a talented screenwriter who can write comedy as well as pathos, like the Coen Brothers or Lawrence Kasdan, both of whom Spielberg has worked with before.


We Got This Covered is supported by our audience. When you purchase through links on our site, we may earn a small affiliate commission. Learn more about our Affiliate Policy
Author