9 Film Adaptations That Are Better Than The Book - Part 9
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9 Film Adaptations That Are Better Than The Book

Of course, there is the popular axiom that “the book is always better than the movie.” There are many reasons for this: a great book can immerse you for many nights of reading, while a film has just a couple of hours to fill your time with the same story and characters. The novel or book is the primary work of one person with a small crew of helping hands, like editors. With a film, there are many more cooks in the kitchen, so to speak, making it likelier for certain aspects – from the acting to the accuracy of the set design – to not live up to readers’ expectations. Most of all, novels that come with a first-person perspective often give screenwriters a challenge, since the writer must bring the idiosyncratic thoughts and feelings of the character to life through a visual medium.
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We Need To Talk About Kevin

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Lionel Shriver’s 2003 Orange Prize-winning novel, about the mother of a teenage boy who perpetrated a high-school massacre, is unnerving. However, the 2011 adaptation from director Lynne Ramsay and starring Tilda Swinton in a career-best performance is even more chilling and thought provoking. How does the film go to heights ever Shriver’s text could not? It all has to do with the approach.

Shriver wrote Kevin as an epistolary novel, a series of letters from mournful mother Eva Khatchadourian to her estranged husband, as she comes to grips with her feelings about her criminal son. The viewer sits right in Eva’s shattered state, as we read about her disdain for her eldest boy for much of his adolescence and the conflicted relationship they had.

However, Ramsay plunges deeper into Eva’s chaotic psyche by eschewing the letters and filling the screen with vivid colours that communicate the protagonist’s pain boldly. A ticking clock pounds on the soundtrack, trickling a constant feeling of dread or alarm. With her expressionistic use of bloody reds that pop up throughout, Ramsay helps the viewer enter the character’s tortured subconscious. With that direction, atop a gaunt, gripping performance from Swinton, who holds so much resistance on the inside, the film adaptation achieves an even more unsettling drama.


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Author
Image of Jordan Adler
Jordan Adler
Jordan Adler is a film buff who consumes so much popcorn, he expects that a coroner's report will one day confirm that butter runs through his veins. A recent graduate of Carleton's School of Journalism, where he also majored in film studies, Jordan's writing has been featured in Tribute Magazine, the Canadian Jewish News, Marketing Magazine, Toronto Film Scene, ANDPOP and SamaritanMag.com. He is also working on a feature-length screenplay.