9 Great Directors Who Could Really Use A Career Boost - Part 2
Forgot password
Enter the email address you used when you joined and we'll send you instructions to reset your password.
If you used Apple or Google to create your account, this process will create a password for your existing account.
This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply.
Reset password instructions sent. If you have an account with us, you will receive an email within a few minutes.
Something went wrong. Try again or contact support if the problem persists.

9 Great Directors Who Could Really Use A Career Boost

Since the autumn is the time of year that attracts many of the most distinguished directors to release their latest projects, We Got This Covered is taking a look at ten filmmakers who really need a good film to push them back into the upper echelon of Hollywood hitters. A few of the directors on this list even have promising projects coming out later this year or early in 2015, so that boost could come soon.
This article is over 11 years old and may contain outdated information

1) Tim Burton

Recommended Videos

Tim Burton

One of mainstream American cinema’s most singular stylists and storytellers, Tim Burton’s gothic and whimsical films have seduced audiences for nearly three decades. He made one of the most influential superhero films ever with Batman, captivated audiences with the inventive Edward Scissorhands and Beetlejuice and is one of the prevalent forces to help make stop-motion animation cool with a younger generation. (The Nightmare Before Christmas, which he wrote and produced, is also likely the best holiday movie to come out in the past 25 years.) For older kids of a certain age and with an outsider status, his macabre yet free-spirited sensibility resonates.

It’s a shame then that much of Burton’s filmography as of late has been, for the most part, pale imitations or pastiches of his former work. There’s a kid-aimed stop-motion film with horror influences (Frankenweenie), off-kilter comedies featuring some ghoulish characters (Dark Shadows) and a big, expensive Hollywood re-telling of a known property (Alice in Wonderland). 20 years earlier, those descriptions would have matched The Nightmare Before Christmas, Beetlejuice and Batman. Today, they remain three of the biggest storytelling follies of Burton’s career. (The top failure is probably his painful Planet of the Apes remake from 2001.)

Burton’s films used to be wonderlands of their own; today, many deride them as lacking the visual dazzle and storytelling splendor that filled his earlier works. Considering how his recent films recall his premiere ones, it is not surprising that Burton’s forthcoming work, Big Eyes, is a period piece biopic about a misunderstood artist. Burton made one of those 20 years ago – the adored Ed Wood, about the infamous cult moviemaker. Let us keep our fingers crossed that the film, slated for a Christmas Day release and starring Amy Adams and Christoph Waltz, will give Burton’s name the clout and command it used to have.


We Got This Covered is supported by our audience. When you purchase through links on our site, we may earn a small affiliate commission. Learn more about our Affiliate Policy
Author
Image of Jordan Adler
Jordan Adler
Jordan Adler is a film buff who consumes so much popcorn, he expects that a coroner's report will one day confirm that butter runs through his veins. A recent graduate of Carleton's School of Journalism, where he also majored in film studies, Jordan's writing has been featured in Tribute Magazine, the Canadian Jewish News, Marketing Magazine, Toronto Film Scene, ANDPOP and SamaritanMag.com. He is also working on a feature-length screenplay.