Forgot password
Enter the email address you used when you joined and we'll send you instructions to reset your password.
If you used Apple or Google to create your account, this process will create a password for your existing account.
This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply.
Reset password instructions sent. If you have an account with us, you will receive an email within a few minutes.
Something went wrong. Try again or contact support if the problem persists.

No One Can Hear You Scream: Ranking The Alien Films

Hitting theatres next month is Ridley Scott's Alien: Covenant, the newest installment in the iconic sci-fi/horror series which the director launched all the way back in 1979. It's arriving a few years after the divisive Prometheus and looks to right that film's wrongs, promising an experience that will hew fairly close to Scott's seminal flick.
This article is over 7 years old and may contain outdated information

5) Alien: Resurrection (1997)

Recommended Videos

Five years on from the release of Alien 3, 20th Century Fox couldn’t let a cash cow run for the hills and the good execs decided to rustle life back in to the franchise. Resurrection opens on the premise that remnants of Ripley’s blood have been uncovered long after her death; blood that contains trace elements of the alien embryo living inside of her. The scientists at the United Systems Military (the new Weyland Yutani) create a clone of our favorite alien slayer and use Ripley’s body to reproduce the Xenomorph, too.

The basic set-up isn’t bad. But Joss Whedon’s script prefers slapstick fun over genuine horror, while directing duties are handled by an auteur better known for his work on the quirky Amelie. Something’s just off here, and Resurrection bears little resemblance to the original trilogy of films, sacrificing suspense for bombast.

Sure, there’s an ensemble cast made up of good actors (Winona Ryder, Ron Perlman to name just two), but the film’s principal star is transformed from believable heroine into a part-alien, part-human supersoldier replete with tepid one-liners at the ready. What made Ripley likable was that she was so human, so relatable, and much of that is lost in Whedon’s script.

Then there’s the Newborn (pictured above), Ripey’s alien “offspring.” I don’t know about you, but at this point, I decided to give up.


We Got This Covered is supported by our audience. When you purchase through links on our site, we may earn a small affiliate commission. Learn more about our Affiliate Policy
Author