Best Films Of The Decade (2001-2010) - Part 2
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Best Films Of The Decade (2001-2010)

I think we can safely suggest that this decade has been incredible for films. Think about how far in these past ten years filmmaking has been pushed forward to reach the pinnacle of technical perfection. The further we get away from it, the more I think this will be known as the technical transformation of film. We've seen digital film burst forward due to the dawn of the internet and cheapness of materials to both amateur and professional filmmakers. From Danny Boyle & David Lynch's embracing of the DV format to the superb quality of the RED, mastered by the likes of David Fincher. The rise in 3D came in the latter half of the decade and the push towards photo realism in visual effects has become huge. Look for example at the rise in performance capture from Gollum to the Na'vi, from The Polar Express to Avatar, the leaps filmmakers have taken have been extraordinary. Also we should take a look at some of the influential characters from overseas. Mexican cinema was well and truly here by the middle of the decade with Alfonso Cuaron, Guillermo del Toro and Alejandro Gonzales Innaritu bringing over a new exciting cinema style to a western audience and seguing that sensibility into more mainstream work. We have the return of Eastern European austerity in the form of Michael Haneke, who has put arthouse audiences through the pain of watching films which are the true definition of uncomfortable viewing.
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Will Chadwick
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Published: Dec 27, 2010 03:00 pm

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20. Hidden [Caché] (2005, Michael Haneke)

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Michael Haneke is the king of the cinema of unease. He likes making the audience feel pain and he enjoys leading them down uncertain and often unresolved paths of mystery. His finest work is a tense psychological drama where an intellectual Parisian couple get stalked and are sent videotapes of their lives. Haneke offers no resolution to audiences but it is a brilliant meditation on guilt as well as the need for surveillance in society.

19. Sideways (2004, Alexander Payne)

Alexander Payne is the king of middle class, intellectual comedy and trumps Noah Baumbach or Wes Anderson any day of the week. He is a genius. Sideways is the ultimate road trip movie, as two friends (Miles and Jack) go on a winery tour before Jack goes to get married.

This is a road trip, however, where the two males learn nothing, and by the end they are still the same lying, narcissistic losers they were when they left. We don’t sympathize with them even for a second, despite enjoying their company for a brilliantly written, acted and consistently hilarious couple of hours.

18. A History of Violence (2005, David Cronenberg)

Cronenberg’s drama comes late in a career of mostly body horror films, but his adaptation of the graphic novel of the same name produces his finest movie yet. Viggo Mortensen is terrific in the central role as a man struggling to come to terms with his identity when mistaken for a mobster by a group of hideous men, led by a creepy Ed Harris. Running at a short 90 minutes, it may lose something in its final act but the rest of the film is unadulterated Cronenberg.

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Image of Will Chadwick
Will Chadwick
Will has written for the site since October 2010, he currently studies English Literature and American Studies at the University of Birmingham in the UK. His favourite films include Goodfellas, The Shawshank Redemption and The Godfather and his favourite TV shows are Mad Men, Six Feet Under, The Simpsons and Breaking Bad.
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