Forgot password
Enter the email address you used when you joined and we'll send you instructions to reset your password.
If you used Apple or Google to create your account, this process will create a password for your existing account.
This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply.
Reset password instructions sent. If you have an account with us, you will receive an email within a few minutes.
Something went wrong. Try again or contact support if the problem persists.

6 Directors Who Should Retire Instead Of Steven Soderbergh

If, like me, you have thoroughly enjoyed any or all of his movies that have come out in the past couple of years, the announced retirement of director Steven Soderbergh comes as a real bummer. Given his prolific filmmaking pace, completing 26 movies over the past 24 years of work, it's understandable why he might be a tad burnt out. Apparently he wants to devote more time to painting and other projects. He has an HBO movie about Liberace airing soon, but after that he plans to take at the very least a long break from filmmaking.
This article is over 11 years old and may contain outdated information
[h2]1) Clint Eastwood[/h2]

Recommended Videos

Clint Eastwood is without a doubt one of the greatest directors of all time. I don’t think there’s anyone who would even attempt to dispute this. He provided a much needed shakeup to the Western genre with his 1992 Oscar-winner Unforgiven, and really hit his stride about a decade ago, with the successive masterful hits Mystic River and Million Dollar Baby. Then he went on to follow these movies up with the bold World War II double feature, Flags of our Fathers and Letters from Iwo Jima. He was on a huge roll, cementing his reputation as one of, if not the, best filmmaker working at the time.

But that seems like forever ago now. I was a fan of Changeling, although that one was not as well received as his previous few knockouts. Gran Torino was the first indication that he was slipping. Then came the enormously disappointing Invictus, the slightly improved Hereafter, and then the epic failure that was J. Edgar. He has since been relegated to acting in trifling little movies like Trouble with the Curve, and giving rambling speeches at political conventions.

With no solid projects upcoming, it seems safe to say Eastwood has most likely lost his artistic touch. Maybe his heart’s not in it anymore. Had he ended on that amazing and daring double feature project, his legacy would have been one of a man going out on top. Instead, he’s going the way of many directors, working into old age but producing films that make people yearn for past days.

Continue reading on the next page…


We Got This Covered is supported by our audience. When you purchase through links on our site, we may earn a small affiliate commission. Learn more about our Affiliate Policy