Forgot password
Enter the email address you used when you joined and we'll send you instructions to reset your password.
If you used Apple or Google to create your account, this process will create a password for your existing account.
This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply.
Reset password instructions sent. If you have an account with us, you will receive an email within a few minutes.
Something went wrong. Try again or contact support if the problem persists.

Why You Should Be Excited For Fede Alvarez’s Evil Dead Remake

This article is over 11 years old and may contain outdated information

It’s A Re-Imaging, Not A Remake

Recommended Videos

This is the most important part for me actually. All the pro Evil Dead talk and prospects of insanity are great, but it’s the best knowing so much of the original has been altered in some way to bring a completely different film experience together – not just a flashier updated version of the original. From little things like changing the name and look of the Necronomicon to not even having a main character named Ash, Fede Alvarez is working tremendously hard to bring audiences a completely new experience while still staying spiritually connected to the original Evil Dead.

Raimi himself has admitted his film is an absolute cult classic (a full fledged horror classic in my eyes), but theatrically it lacks certain professionalism found in bigger budget horror movies. Sam himself wanted to see this remake done to create something bigger, better, faster, and stronger with the latest Hollywood advances the original film’s budget just wouldn’t allow. Raimi created something darkly comedic and gleefully over-the-top, and it works well with the smaller budget, but Alvarez is taking his Evil Dead scarier and more seedy places, again focusing on a brand new experience. Take a look at any of the new material and you’ll know exactly what I’m saying – and I love every freaking second of it. In the trailer alone, I totally dig the brilliantly creep-tacilar moment of watching one of the converted Deadites pop her head out of the locked basement hatch door to expose the visual make-up work which paints an undeniably more horrific type of Deadite than Raimi opted for.

When you remake something like Friday the 13th, directors never care to change the established atmosphere. Kudos to Fede Alvarez for paying homage to Sam Raimi by doing his own creative take on the established material – not just shooting a scene by scene rehash.


We Got This Covered is supported by our audience. When you purchase through links on our site, we may earn a small affiliate commission. Learn more about our Affiliate Policy
Author
Image of Matt Donato
Matt Donato
A drinking critic with a movie problem. Foodie. Meatballer. Horror Enthusiast.