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Heebie-Jeebies: The 10 Best Horror Films From The Past Decade

Of all the genres within cinema, few can excite as much as horror can. From the visceral carnage on screen to the emotional underpinnings of a harrowing narrative, horror films provide an avid affective cinema that few other pictures can. In their exploration of the diabolical and disturbing, these movies work tirelessly to entertain their spectators in overtly physiological manners. Whether it's sweaty palms or an ever-increasing heart rate, these unsettling films excite, cajole, disgust, shock and even traumatize their viewers into a gleeful adrenaline-fuelled pleasure.
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10) The Loved Ones (2009)

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Australians sure do have a penchant for abduction films. Whether it’s Wolf Creek or this year’s newcomer Hounds of Love – which The Guardian is calling the “scariest film of the year” – many of Australia’s best cinematic exports deal with the horror of isolation and abduction. Perhaps many of these filmmakers find these terrifying inspirations in the setting around them. After all, the majority of the country is an arid desert, making for the perfect setting to abduct, torture and kill innocent individuals that can do nothing but futilely scream into nothingness.

It’s a terror unlike most of the ones found on this list, for the audience’s’ fear is not based in the supernatural but rather in reality. In a prom date from hell scenario, The Loved Ones is an adept directorial debut from short filmmaker Sean Byrne, who demonstrates an earnest approach that is at times as campy as it is gruesome.

With everything from lobotomies to cannibalistic slaves, The Loved Ones seldom takes any niceties when exploring the disturbed minds of abductors Lola and Daddy. It’s a mature first feature from Byrne that showcases the nascent filmmakers cinephilic fervor and one that will hopefully continue past the director’s equally unsettling sophomore attempt, The Devil’s Candy.


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Author
Image of Riyad Mammadyarov
Riyad Mammadyarov
Contributing Writer || Riyad Mammadyarov is a graduate of New York University and is currently pursuing a master's degree in cinema studies at the same institution. He has written for The Knockturnal and Indiewire. His passion for films knows no bounds. It warms his heart and inspires zeal to talk movies with fellow cinephiles. When not reliving Truffaut's three-films-a-day mantra, he can be found reading cinema journals, eating ramen or explaining to people the pronunciation of his name. Have any questions, comments or just want to chat? Email him at [email protected]