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Heebie-Jeebies: The 10 Best Horror Films From The Past Decade

Of all the genres within cinema, few can excite as much as horror can. From the visceral carnage on screen to the emotional underpinnings of a harrowing narrative, horror films provide an avid affective cinema that few other pictures can. In their exploration of the diabolical and disturbing, these movies work tirelessly to entertain their spectators in overtly physiological manners. Whether it's sweaty palms or an ever-increasing heart rate, these unsettling films excite, cajole, disgust, shock and even traumatize their viewers into a gleeful adrenaline-fuelled pleasure.
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8) The Invitation (2015)

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Horror

Grief can be one of the most unbearable aspects of any person’s life. It has the potential to become a psychological cancer, destroying one’s capacity for love, pleasure, friendship and other humanist experiences. It’s never easy – especially for Will, the protagonist of The Invitation. After having recently lost his son in a tragic accident, Will’s marriage with his son’s mother deteriorates and they divorce. Now in a new relationship, Will makes the effort to attend a dinner party at his ex-wife’s house with her new husband David to overcome his grief and move on like his ex-wife seemingly has.

As the dinner party begins, everything seems innocuous enough. People are drinking wine, discussing work related issues and joking with one another. But soon, more and more strange guests begin showing up and the party begins taking a bizarre and unsettling turn.

Mind you, nothing is out of the ordinary – at least at first. Something is just…off. Thanks to Karyn Kusama’s brilliant direction and the sharp writing from Phil Hay and Matt Manfredi, The Invitation expertly builds tension, forcing the audience to creep closer and closer to the edge of their seat before finally falling off from the jaw-dropping finale. The Invitation is perhaps one of the best “dinner party gone wrong” films to come out in quite some time, using its inconspicuous setting as a means of constructing an unease that few other movies can.


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Author
Image of Riyad Mammadyarov
Riyad Mammadyarov
Contributing Writer || Riyad Mammadyarov is a graduate of New York University and is currently pursuing a master's degree in cinema studies at the same institution. He has written for The Knockturnal and Indiewire. His passion for films knows no bounds. It warms his heart and inspires zeal to talk movies with fellow cinephiles. When not reliving Truffaut's three-films-a-day mantra, he can be found reading cinema journals, eating ramen or explaining to people the pronunciation of his name. Have any questions, comments or just want to chat? Email him at [email protected]