10 Of The Most Impressive Long Takes In Movie History

Amongst the highest of high praise received so far by Gravity (which I see as well deserved) is that it has the potential to be a game-changer for movies. Reasons for this include its use of sound, a simple storyline for the audience to follow through, subtle but effective characterization, and some of the best use of 3D we have seen to date. One of the chief reasons its action sequences have drawn accolades is its use of what are typically referred to as “long takes,” although the label may not be entirely suitable for this film since rather than the traditional method of having to capture every aspect of a sequence in one continuous go-round, CGI allows for a little more dexterity and precision than the mayhem of getting everything right all at once. The way of achieving this effect, of giving us one long, interrupted shot with no cutting is markedly different, but the effect itself and the degree of difficulty in achieving it are likely quite similar.
[h2]9) Atonement[/h2]

Atonement

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A long, uninterrupted film sequence can sometimes deliver the simple message that this movie means business. It conveys aesthetic ambition. And for me at least, this was important when it came to Joe Wright’s Atonement, which was made in 2007 when Keira Knightley was associated with schmaltzy romance movies.

Its promotion made it look less serious than it was, and it announced this seriousness when it turned from a little love story (which is fine) into a historical saga focusing on a few characters. The long take in this film, showing James McAvoy’s character’s arrival at the beach at Dunkirk, is found to be distracting by some, but on the contrary, I found it the first real immersive moment of the film.

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